Scarlet letter quotes and notes Dumas
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Chapter One: "A throng of bearded men, in sad-colored garments and gray, steeple-crowned hats, intermixed with women, some wearing hoods, and other bareheaded, was assembled in front of a wooden edifice, the door of which was heavily timbered with oak and studded with iron spikes." -Hawthorne
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The words "sad-colored," gray," "iron spikes" give a somber feeling to the opening paragraph of the novel setting the stage for the events that are to come; they prepare the reader for something serious, heavy, or sad.
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Chapter One: "This rosebush ... Had sprung up under the footsteps of the sainted Ann Hutchinson, as she entered the prison door—we shall not take upon us to determine." -Hawthorne
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Anne Hutchinson was a famous heretic, who was arrested and eventually fled the Puritan society. This implies that the prison has kept notorious criminals. The rosebush represents nature and the prison represents death.
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Chapter Two: "Goodwives," said a hard-featured dame of fifty, "I'll tell ye a piece of my mind. It would be greatly for the public behoof, if we women, being of mature age and church-members in good repute, should have the handling of such malefactresses as this Hester Prynne. What think ye, gos- sips? If the hussy stood up for judgment before us five, that are now here in a knot together, would she come off with such a sentence as the worshipful magistrates have awarded? Marry, I trow not!" -old lady
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The citizens have a harsh judgement of sinners. They have no sense of mercy. They want to punish criminals harsher than their own government.
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Chapter Two: "The young woman was tall, with a figure of perfect elegance, on a large scale. She had dark and abundant hair, so glossy that it threw off the sunshine with a gleam, and a face which, besides being beautiful from regularity of feature and richness of complexion, had the impressiveness be- longing to a marked brow and deep black eyes. She was lady-like, too, after the manner of the feminine gentility of those days; characterized by a certain state and dignity ...
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The women are jealous of Hester because she is the opposite of them. They are depicted as hateful and ugly while Hester is shown as beautiful and gentle.
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"O, peace, neighbours, peace!" whispered their youngest companion. "Do not let her hear you! Not a stitch in that embroidered letter, but she has felt it in her heart."
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The person shows empathy and mercy for Hester. There is possibility that there are mixed opinions in the crowd.
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Chapter 3: A writhing horror twisted itself across his features, like a snake gliding swiftly over them, and making one little pause, with all its wreathed intervolutions in open sight. His face darkened with some powerful emotion, which, nevertheless, he so instantaneously controlled by an effort of his will, that, save at a single moment, its expression might have passed for calmness.
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The narrator implies that the scholar is being overtaken by evil and darkness when he sees the baby. This foreshadows that he's going to be an antagonist in the story.
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Chapter 3: "It irks me, nevertheless, that the partner of her iniquity should not, at least, stand on the scaffold by her side. But he will be known!—he will be known!—he will be known!" -Chillingworth
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He's implying that he wants revenge. He wants to seek the man who committed the crime with Hester.
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Chapter 4: "Why dost thou smile so at me?" inquired Hester, troubled at the expression of his eyes. "Art thou like the Black Man that haunts the forest round about us? Hast thou enticed me into a bond that will prove the ruin of my soul?" "Not thy soul," he answered, with another smile. "No, not thine!"
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Hester is questioning Roger's motives. She thinks he's been possessed by Satan. Then, he says that he is not after her soul, but he has plans for revenge against the baby daddy.
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Chapter 5: Her needle-work was seen on the ruff of the Governor; military men wore it on their scarfs, and the minister on his band; it decked the ba- by's little cap; it was shut up, to be mildewed and moulder away, in the coffins of the dead. But it is not recorded that, in a single instance, her skill was called in aid to embroider the white veil which was to cover the pure blushes of a bride.
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Even though Hester is notorious for her crime, the people and high officials buy her embroideries because she is very skilled and her work is very beautiful, despite it being sewn by a sinner. The only thing she does not sew for is weddings because of her sin.
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Chapter 5: Hester bestowed all her superfluous means in charity, on wretches less miserable than herself, and who not unfrequently insulted the hand that fed them. Much of the time, which she might readily have applied to the better efforts of her art, she employed in making coarse garments for the poor.
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Hester also makes clothing for the poor as penance, though they insult her. She puts more effort into their clothing than others. It's possible she is guilty for her sin.
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Chapter 6: But she named the infant "Pearl," as being of great price,—purchased with all she had,—her mother's only treasure!
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She named her baby Pearl because she gave up her reputation for her. She gave up everything to have her. She is all that Hester has. Out of sin, comes a treasure.
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Chapter 6: So magnificent was the small figure, when thus arrayed, and such was the splendor of Pearl's own proper beauty, shining through the gorgeous robes which might have extinguished a paler loveliness, that there was an absolute circle of radiance around her, on the darksome cottage-floor. And yet a russet gown, torn and soiled with the child's rude play, made a picture of her just as perfect.
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Hawthorne depicts Pearl as very beautiful even if her clothes is ragged. Her own beauty even stands out through through the ragged clothes and the dark cottage floor.
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Chapter 6: Whenever that look appeared in her wild, bright, deeply black eyes, it invested her with a strange remoteness and intangibility; it was as if she were hovering in the air and might vanish, like a glimmering light that comes we know not whence, and goes we know not whither. Beholding it, Hester was constrained to rush towards the child,—to pursue the little elf in the flight which she invariably began,—to snatch her to her bosom, with a close pressure and earnest kisses,—not so much from overflowing love, as to assure herself that Pearl was flesh and blood, and not utterly delusive.
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Hester is suspicious something demonic has taken over her daughter. Pearl has strange behavior towards the scarlet letter on Hester's dress. Pearl is like an angel sent down from Heaven for Hester or a demon from Hell.
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Chapter 6: All this enmity and passion had Pearl inherited, by inalienable right, out of Hester's heart. Mother and daughter stood together in the same circle of seclusion from human society; and in the nature of the child seemed to be perpetuated those unquiet elements that had distracted Hester Prynne before Pearl's birth, but had since begun to be soothed away by the soften- ing influences of maternity.
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Even though, Pearl is beautiful, she is an outcast like her mother. They are both secluded from their society. Pearl inherits her mother's personality. Since they are both secluded, Pearl's passion and intensity becomes more dramatic
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Chapter 8: Old Roger Chillingworth, with a smile on his face, whispered some- thing in the young clergyman's ear. Hester Prynne looked at the man of skill, and even then, with her fate hanging in the balance, was startled to perceive what a change had come over his features,—how much uglier they were,— how his dark complexion seemed to have grown duskier, and his figure more misshapen,—since the days when she had familiarly known him.
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Chillingworth has gained more power and influence in the town. He plans to use that political power to force Hester to confess. Also, his appearance has become more evil-looking. His vengeance is consuming him and turning him into something demonic.
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Chapter 8: Hester Prynne's situation had provoked her to little less than mad- ness, the young minister at once came forward, pale, and holding his hand over his heart, as was his custom whenever his peculiarly nervous tempera- ment was thrown into agitation. He looked now more careworn and emaciat- ed than as we described him at the scene of Hester's public ignominy; and whether it were his failing health, or whatever the cause might be, his large dark eyes had a world of pain in their troubled and melancholy depth.
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Rev. Dimmesdale's health is failing because he constantly has pains in his heart. He looks like he is suffering from a deep pain and he has dark eyes like Chillingworth.
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Chapter 9: His form grew emaciated; his voice, though still rich and sweet, had a certain melancholy prophecy of decay in it; he was often observed, on any slight alarm or other sudden accident, to put his hand over his heart, with first a flush and then a paleness, indicative of pain.
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Dimmesdale is a dying man. He is suffering from heart pains and has health problems.
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Chapter 9: Reverend Arthur Dimmesdale, like many other personages of es- pecial sanctity, in all ages of the Christian world, was haunted either by Satan himself, or Satan's emissary, in the guise of old Roger Chillingworth. This dia- bolical agent had the Divine permission, for a season, to burrow into the cler- gyman's intimacy, and plot against his soul.
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Reverend Dimmesdale is being haunted by Satan or Chillingworth in the form of a demon for his soul. It's possible that Chillingworth gained Dimmesdale's trust to get his soul. He has possible motives to involve Dimmesdale for his plot.
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Chapter 10: "Even in the grave-yard, here at hand," answered the physician, continuing his employment. "They are new to me. I found them growing on a grave, which bore no tombstone, nor other memorial of the dead man, save these ugly weeds that have taken upon themselves to keep him in remem- brance. They grew out of his heart, and typify, it may be, some hideous secret that was buried with him, and which he had done better to confess during his lifetime."
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The man was probably sinful, because he had nothing in his memory, except for ugly plants. Chillingworth says that the weeds grew out of the man's heart and that he had some secret that he should've confessed when he was alive.
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Chapter 10: Had a man seen old Roger Chillingworth, at that moment of his ecstasy, he would have had no need to ask how Satan comports himself, when a precious human soul is lost to Heaven, and won into his kingdom.
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Chillingworth is feeling some evil pleasure from his revenge plot. He wouldn't have been possessed by Satan if someone would've helped him.
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Chapter 12: "Thou wast not bold!—thou wast not true!" answered the child. "Thou wouldst not promise to take my hand, and mother's hand, to-morrow noontide!"
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She's saying that Dimmesdale is a coward for not promising to stand on the scaffold with them tomorrow. Also, that he doesn't want to appear in public with them to save face.
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Chapter 13: Hester's nature showed itself warm and rich; a well-spring of human tenderness, unfailing to every real demand, and inexhaustible by the largest. Her breast, with its badge of shame, was but the softer pillow for the head that needed one. She was self-ordained a Sister of Mercy; or, we may rather say, the world's heavy hand had so ordained her, when neither the world nor she looked forward to this result. The letter was the symbol of her calling. Such helpfulness was found in her,—so much power to do, and power to sympathize,—that many people refused to interpret the scarlet A by its original signification. They said that it meant Able; so strong was Hester Prynne, with a woman's strength.
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The people allow her to help them by nursing the sick and giving food to the poor, but they do still scorn her. She can go through the toughest challenges. Hester is strong enough to support herself and a daughter as a single woman. She used society's negativity to benefit herself. The people no longer see the scarlet letter as something negative, but something positive and have forgiven her.
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Chapter 14: "And I thee," answered Hester Prynne, "for the hatred that has transformed a wise and just man to a fiend! Wilt thou yet purge it out of thee, and be once more human? If not for his sake, then doubly for thine own! Forgive, and leave his further retribution to the Power that claims it! I said, but now, that there could be no good event for him, or thee, or me, who are here wandering together in this gloomy maze of evil, and stumbling, at every step, over the guilt wherewith we have strewn our path. It is not so! There might be good for thee, and thee alone, since thou hast been deeply wronged, and hast it at thy will to pardon. Wilt thou give up that only privi- lege? Wilt thou reject that priceless benefit?"
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Hester sees that Chillingworth has deformed into something evil and not human. She is asking for Chillingworth to stop pursuing the baby daddy and turn back into a human. She is asking him to rid himself of hatred and revenge and trying to save his soul. Revenge and hatred lead to sin and death.
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Chapter 15: Did the sun, which shone so brightly everywhere else, really fall upon him? Or was there, as it rather seemed, a circle of ominous shadow moving along with his deformity, whichever way he turned himself? And whither was he now going? Would he not suddenly sink into the earth, leav- ing a barren and blasted spot, where, in due course of time, would be seen deadly nightshade, dogwood, henbane, and whatever else of vegetable wick- edness the climate could produce, all flourishing with hideous luxuriance?
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The author is describing him as something so evil, that he kills all life around him and the sun shines on him with a hideous light. It's almost as if he is a demon descending back to Hell. His sin takes the form of a dark cloud over him. The plants mentioned are known to be ugly and dark.
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Chapter 16: But the brook, in the course of its little lifetime among the forest- trees, had gone through so solemn an experience that it could not help talk- ing about it, and seemed to have nothing else to say. Pearl resembled the brook, inasmuch as the current of her life gushed from a well-spring as myste- rious, and had flowed through scenes shadowed as heavily with gloom. But, unlike the little stream, she danced and sparkled, and prattled airily along her course.
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Hawethorne characterizes the brook as something alive. He uses it to describe Pearl, who is mysterious and had a sad childhood. But, unlike the stream, she likes to dance around happily.
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Chapter 16: He looked haggard and feeble, and betrayed a nerveless de- spondency in his air, which had never so remarkably characterized him in his walks about the settlement, nor in any other situation where he deemed him- self liable to notice. Here it was wofully visible, in this intense seclusion of the forest, which of itself would have been a heavy trial to the spirits. There was a listlessness in his gait; as if he saw no reason for taking one step farther, nor felt any desire to do so, but would have been glad, could he be glad of any thing, to fling himself down at the root of the nearest tree, and lie there pas- sive for evermore.
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His health is failing and he's become weak that he cannot breathe or walk. He has no strength to walk any further and wants to lie by the tree to rest for a long time. He's given up on life and is ready to lie there and die. He has no reason to continue living his life because of this great pain and depression. The effects of his sin has weakened his will and soul.
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Chapter 18: All at once, as with a sudden smile of Heaven, forth burst the sun- shine, pouring a very flood into the obscure forest, gladdening each green leaf, transmuting the yellow fallen ones to gold, and gleaming adown the gray trunks of the solemn trees. The objects that had made a shadow hitherto, embodied the brightness now. The course of the little brook might be traced by its merry gleam afar into the wood's heart of mystery, which had become a mystery of joy.
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When Hester takes off her scarlet letter and hair cap, Hawethorne creates an imagery of Heaven shining out its light because she is letting go of her sin and revealing her beauty. The sun is so beautiful, it gives life to dead trees and giving brightness to dark, ugly things like gray trunks. Hester has become free like nature.
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Chapter 18: Such was the sympathy of Nature—that wild, heathen Nature of the forest, never subjugated by human law, nor illumined by higher truth— with the bliss of these two spirits! Love, whether newly born, or aroused from a deathlike slumber, must always create a sunshine, filling the heart so full of radiance, that it overflows upon the outward world. Had the forest still kept its gloom, it would have been bright in Hester's eyes, and bright in Arthur Dimmesdale's!
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The Puritans considered the forest or wilderness as something evil or where Satan lives because there were no 'divine laws' there, yet Hawethorne characterizes the forests as something beautiful and full of life. It becomes alive through sunshine and becomes so dark and gloomy, that the light in Hester's and Dimmesdale's lighten up. Hawethorne creates a romantic scene between the two lovers.
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Chapter 19: Pearl broke from her mother, and, running to the brook, stooped over it, and bathed her forehead, until the unwelcome kiss was quite washed off, and diffused through a long lapse of the gliding water. She then remained apart, silently watching Hester and the clergyman; while they talked togeth- er, and made such arrangements as were suggested by their new position, and the purposes soon to be fulfilled.
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Pearl resents Dimmesdale because he doesn't want to appear in public with them. She rejects his affection by washing his kiss on her forehead in the brook. She is becoming more aware of the relationship between Hester and Dimmesdale and that he is her father.
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Chapter 20: No man, for any considerable period, can wear one face to him- self, and another to the multitude, without finally getting bewildered as to which may be the true.
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Dimmesdale is criticizing Chillingworth for pretending to be someone who he is not. Being a physician in public, while being Chillingworth former husband in secret. However, this is hypocritical, because Dimmesdale is doing the same thing.
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Chapter 23: Pearl kissed his lips. A spell was broken. The great scene of grief, in which the wild infant bore a part, had developed all her sympathies; and as her tears fell upon her father's cheek, they were the pledge that she would grow up amid human joy and sorrow, nor for ever do battle with the world, but be a woman in it. Towards her mother, too, Pearl's errand as a messen- ger of anguish was all fulfilled.
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When Pearl kissed her father, she feels grief and sorrow because her father is dying, and she did not get to know him her entire life. But, she promises to continue living her life and grow up and be strong despite her circumstances. Hawethorne states that Pearl's role to bring pain to Hester is done
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Chapter 24: Among many morals which press upon us from the poor minis- ter's miserable experience, we put only this into a sentence:—"Be true! Be true! Be true! Show freely to the world, if not your worst, yet some trait whereby the worst may be inferred!"
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Hawethorne makes Dimmesdale's life in a strict society an example. He is saying that society's moral laws can make a sinner feel miserable for the rest of their lives. Also, his message is that people should be true to themselves, even if they have bad qualities.