Twentieth Century Flashcards for Terms

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In music, the early twentieth century was a time of
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revolt and change
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Ostinato refers to a - rapid slide through different pitches - chord made of tones only a half step or whole step apart - combination of two traditional chords sounding together - motive or phrase repeated persistently at same pitch throughout a section.
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Motive or phrase repeated persistently at same pitch throughout a section.
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Impressionism is music is characterized by - the recurrence of strong accents on the downbeat - a stress on tone color, atmosphere, and fluidity - an adherence to traditional harmonic chord progressions - all the above
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a stress on tone color, atmosphere, and fluidity.
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Which of the following characteristics is not usually associated with impressionism? - fleeting mood - clearly delineated forms - misty atmosphere - symbolism
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Clearly delineated forms
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Impressionist painting and symbolist poetry as artistic movements originated in
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France
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When viewed closely, impressionist paintings are made up of - fine lines - large bands of color - tiny black dots - tiny colored patches
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tiny colored patches
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Impressionist painters were primarily concerned with the effect of light, color, and - Rhythm - Atmosphere - detail - clarity
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atmosphere
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Which of the following is not a characteristic of neoclassicism? - Emotional restraint - Clarity - Misty atmosphere - Balance
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misty atmosphere
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Neoclassical composers favored - unusual exotic scales - clear polyphonic textures - programmatic music - homophonic textures
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clear polyphonic textures
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Neoclassical compositions are characterized by - forms and stylistic features of earlier periods - whole-tone scales - harsh dissonances - the use of the twelve-tone system
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forms and stylistic features of earlier periods
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Neoclassical composers modeled many of their words after the compositions of - Richard Wagner - Guillaume de Machaut - Johann Sebastian Bach - Franz Liszt
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Johann Sebastian Bach
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Neoclassicism was a reaction against - romanticism and impressionism - humanism - classicism - traditional forms
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romanticism and impressionism
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The twentieth-century artistic movement that stressed intense, subjective emotion was called - impressionism - primitivism - expressionism - neoclassicism
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expressionism
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Distortion is a technique used primarily in the __ period.
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expressionist
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Expressionism as an artistic movement was largely centered in? - The United States - Germany and Austria - Spain - Norway
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Germany and Austria
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Expressionism is an art concerned with - depicting the beauties of nature - emotional restraint, clarity and balance - social protest - all are correct
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Social protest
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All of the following painters may be considered part of the expressionist movement except
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Claude monet
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Distortion is a technique used primarily in the ___ period - impressionist - classical - expressionist - romantic
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expressionist
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The expressionists rejected - conventional prettiness - reality - imagination - morality
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conventional prettiness
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Expressionist composers - contributed many patriotic songs to the war effort - avoided atonality and tradition chord progressions - tried to capture atmosphere with rich, sensuous harmonies and pleasant subjects - all are correct
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avoided atonality and traditional chord progressions
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Using all twelve tones without regard to their traditional relationship to major or minor scales, avoiding traditional chord progressions, is known as - polytonality - bitonality - freetonality - atonality
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Atonality
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The absence of key or tonality in a musical composition is known as - polytonality - ostinato - a tone cluster - atonality
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Atonality
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In the 1950s Stravinsky dramatically changed his style to favor?
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Twelve-tone system
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The ordering of the twelve chromatic tones in a twelve-tone composition is called a - series - tone row - set - all answers are correct
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series, tone row, set all the answers are correct
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Composers began to shift from tonality to the twelve-tone system because - they were bored with tonal music - they discovered it was a compositional technique rather than a special musical style - it was easier to write twelve-tone music - they could make more money selling atonal compositions to a wider public
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they discovered it was a compositional technique rather than a special musical style
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An eerily expressive kind of declamation midway between song and speech, introduced during the expressionist period is - stile rappresentativo - bel canto - pierrot lunaire - sprechstimme
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Sprechstimme ("speech-voice")
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The vocal lines in Wozzeck include - distorted folk songs - speaking - sprechstimme - all answers are correct
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distorted folk songs, speaking, sprechstimme All the answers are correct
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Serialism is a compositional technique in which - a numeric series was the unifying idea of a composition - a series of five pitches could be constantly repeated - a series of rhythms, dynamics, or tone colors could serve as a unifying idea - a series of musical ideas would follow each other in quick succession
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a series of rhythms, dynamics, or tone colors could serve as a unifying idea
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Twelve-tone compositional techniques used to organize rhythm, dynamics, tone color, and other dimensions of music to produce totally controlled and organized music are called - chance music - minimalism - Klangfarbenmelodie - serialism
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serialism
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A major composer associated with the serialist movement is - Philip Glass - Milton Babbitt - George Crumb - Ellen Taaffee Zwilich
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Milton Babbitt
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An example of Copland's use of serialist technique is - Music for the Theatre - Connotations for Orchestra - Fanfare for the Common Man - Appalachian Spring
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Connotations for Orchestra
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All of the following are proponents of serialism except - Karlheinz Stockhausen - Pierre Boulez - Milton Babbitt - John Cage
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John Cage
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In chance, or aleatory music the composer - takes a chance on which performers will perform the work - chooses pitches, tone colors, and rhythms by random methods - writes a rhythmic pattern but leaves it to the performer to determine the actual pitches - write the music in a traditional manner, but allows the recording engineer to make electronic changes
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chooses pitches, tone colors, and rhythms by random methods
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An example of aleatoric music is - Arnold Schoenberg's Gurrelieder for orchestra - Igor Stravinsky's Soldieries' Tale for chamber ensemble - John Cage's Imaginary Landscape No. 4 for twelve radios - Charles Ive's Fourth Symphony for orchestra
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John Cage's Imaginary Landscape
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Minimalism as an artistic movement was a - way to create popular works quickly and with little effort - reaction against the complexity of serialism and the randomness of chance music
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reaction against the complexity of serialism and the randomness of chance music
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Which of the following characteristics is not true of minimalist music? - a fast rate of change - a clear tonality - a constant repetition of melodic and rhythmic patterns - a steady, driving pulse
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a fast rate of change
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Minimalist music is characterized by - the development of musical materials through random methods - rapidly changing dynamics and textures - a steady pulse, clear tonality, and insistent repetition of short melodic patterns - the use of twelve-tone techniques to organize the dimensions of music
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a steady pulse, clear tonality, and insistent repetition of short melodic patterns
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Which of the following is not primarily known as a minimalist composer? - Terry Riley - George Crumb - Steve Reich - Philip Glass
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George Crumb
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Minimalist music grew out of the same intellectual climate as minimalist art, which features - simple forms, clarity and understatement - deliberate distortion and violent colors to communication the tension and anguish of the human psyche - the effects of light, color, and atmosphere through collections of tiny colored patches - three-dimensional objects and human figures distorted into planes
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simple forms, clarity and understatement
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Many composers since the mid-1960's have made extensive use of quotations from earlier music as an attempt to - simplify writing original compositions - improve communication between composer and the listener - capitalize on the popularity of earlier works - continue and develop serialist techniques
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improve communication between composer and the listener
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Around 1940, John Cage invented the prepared pain, a
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A grand piano whose sound is altered by placing objects such as bolts, screws, rubber bands or other pieces between strings of the piano
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