VIC3001 Test 3 – Flashcards

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what are the two visual cues?
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Points and Lines
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What is a point?
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Sequence of individual dots that creates energy
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Straight, diagonal lines
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o Create a sense of movement o Good for directional force
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Curved lines
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o Create a sense of suppleness and movement o Fitness, health care
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Thick and dark lines
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o Strong and confident
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Thin and light lines
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o Delicate, even timid
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Shape/Form: parallelograms
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-Squares -Rectangles -circles -triangles
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Rectangles
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o More sophisticated than squares
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Circles
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o Draw in the eye o Endless, rhythmic patterns of time
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Triangles
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o Dynamic, active o Can burden a design if you use too many Too much tension
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Offset
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o Anything "fancy"- die cuts o At least 2000 pieces
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Digital
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o Less expensive for smaller amounts o Variable Data
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Color Perception in Humans
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The colors in our retina are red, green and blue
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Hue Saturation and Brightness (HSB)
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Hue is another word for color Saturation : how much white is mixed in Brightness: How much black is mixed
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Tint, Tone and Shade
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Tint: adding white to a pure hue Shade: adding black to a pure hue Tone: adding grey to a pure hue
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Reflective Color
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Print uses reflective color
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Subtractive Color
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CMYK- "Process" Cyan Magnenta Yellow Black ("Key")
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Halftones
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4 color process Halftone Spot color
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Spot color
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Premixed ink Really good for branding Very rich, specific color
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When printing a full color photo:
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you have to use CMYK
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Cannot use spot ink with digital printing,
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only offset printing
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Pantone Matching System (PMS)
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A proprietary color space used in a variety of industries
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The more ink you use:
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the more expensive it is
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Web Color
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Not reflective Additive Color, RGB
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Hex Codes
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a way of specifying color using hexadecimal values
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Color Theory
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-Complementary -Analogous -Split Complementary -Triadic -Double Complementary (Tetradic) -Monochromatic -Neutrals, tints, tones, shades
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Complementary
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Two Colors Color pair opposite on the color wheel Generally very high in contrast Very high catching, vibrant
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Analogous
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Three colors Next to each other on the color wheel More soothing to the eye Lack visual vibrancy
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Split Complementary
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Three Colors Triangle formation High in contrast, attract the eye More sophisticated
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Triadic
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Three colors equally spaced out around the color wheel Difficult to balance
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Double Complementary (Tetradic)
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Two sets that are opposite the color wheel Difficult to balance
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Monochromatic
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One color Tints and tones and shades of one color, doesn't have much contrast but are very soothing
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Color meanings and uses
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o The McCullogh Effect o Rules of color
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The McCullogh Effect
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a phenomenon of human visual perception in which colorless gratings appear colored contingent on the orientation of the gratings. For example, if someone alternately looks at a red horizontal grating and a green vertical grating for a few minutes, a black-and-white horizontal grating will then look greenish and a black-and-white vertical grating will then look pinkish.
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Rules of color
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Convey information The Transparency Effect Contrast is Key Assist in Mnemonic value Understand Limitations Budget constraints Delivery media
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Baseline:
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Imaginary line that text "sits on" (1)
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Meanline:
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Horizontal line that marks the top of lower case letters (5)
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Descender:
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Lower portion of lower case letters that extends below the base line (7)
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Ascender:
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Extension in lower case letter that rises above the mean line (12)
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Counter:
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Negative space (8)
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X-height:
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distance between baseline and mean line
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Measuring Type
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Type is measured in point Measured from the top of the ascender to the bottom of the descender 72 points =1 inch
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Tracking:
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the automatic spacing between all characters
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Kerning
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manual spacing between individual characters
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Leading (rhymes with "bedding"):
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the vertical spacing between lines of text Type faces that have a large X-height, need more leading
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(Text alignment) Left justified/ragged right:
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Best readability
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(Text alignment) Right justified/ragged left:
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Limited readability
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(Text alignment) Centered or justified creates:
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symmetrical effect
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Proximity
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The heading needs to go closer to the text it is describing
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Typography 101: Serif vs. Sans Serif
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Serif fonts have ornamental strokes; Times New Roman is the most common example
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(Serif Styles) Garamond:
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Old style
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(Serif Styles) Baskerville
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a traditional Serif
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(Serif Styles) Didot
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a Modern Serif
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(Serif Styles) Rockwell
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o Slab serif, more mechanical o Good for signage
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(Serif Styles) Caveat
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When creating an identity/branding, beware the "font du jour"
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(Serif Styles) Generally Disliked
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Comic sans Papyrus Harabara Hobo Std Brush Script Marker Felt
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(Serif Styles) Generally Liked
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Helevetica Times New Roman Futura Myriad Pro Baskerville Garamond
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Readability:
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Think, large amount of text
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Legibility:
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Think, design of the typeface Sans serif are generally more legible
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In print
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o A general rule of thumb is to use a sans-serif headline with serif copy.
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On the Web
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o A general rule of thumb is to use a serif headline with sans-serif copy.
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Vector-
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Math based, Illustrator (.Al)
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Raster-
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Pixel-based, bitmapped, photoshop
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