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\"Ordinary, said Aunt Lydia, is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary.\" (Chapter 6 pg. 33)
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Source A Atwood, Margaret. The Handmaid's Tale. Boston: Houghton Mifflin, 1986. Print.
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\"I would like to believe this is a story I'm telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it's a story I'm telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.\" (Chapter 7 pg. 39)
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Source A Atwood, Margaret. The Handmaid's Tale. Boston: Houghton Mifflin, 1986. Print.
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\"I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will . . . Now the flesh arranges itself differently. I'm a cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping.\" (Chapter 13 pg. 73)
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Source A Atwood, Margaret. The Handmaid's Tale. Boston: Houghton Mifflin, 1986. Print.
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\"He was not a monster, to her. Probably he had some endearing trait: he whistled, offkey, in the shower, he had a yen for truffles, he called his dog Liebchen and made it sit up for little pieces of raw steak. How easy it is to invent a humanity, for anyone at all. What an available temptation.\" (Chapter 24 pg. 145)
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Source A Atwood, Margaret. The Handmaid's Tale. Boston: Houghton Mifflin, 1986. Print.
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\"The problem wasn't only with the women, he says. The main problem was with the men. There was nothing for them anymore . . . I'm not talking about sex, he says. That was part of it, the sex was too easy . . . You know what they were complaining about the most? Inability to feel. Men were turning off on sex, even. They were turning off on marriage. Do they feel now? I say. Yes, he says, looking at me. They do.\" (Chapter 32 pg. 210)
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Source A Atwood, Margaret. The Handmaid's Tale. Boston: Houghton Mifflin, 1986. Print.
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\"There is more than one kind of freedom...Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from. Don't underrate it.\" (Chapter 5 pg. 24)
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Source A Atwood, Margaret. The Handmaid's Tale. Boston: Houghton Mifflin, 1986. Print.
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\"I'll pretend you can hear me. But it's no good, because I know you can't.\" (Chapter 7 pg. 40)
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Source A Atwood, Margaret. The Handmaid's Tale. Boston: Houghton Mifflin, 1986. Print.
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\"She doesn't make speeches anymore. She has become speechless. She stays in her home, but it doesn't seem to agree with her. How furious she must be now that she has been taken at her word.\" (Chapter 8 pg. 46)
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Source A Atwood, Margaret. The Handmaid's Tale. Boston: Houghton Mifflin, 1986. Print.
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\"I have failed once again to fulfill the expectations of others, which have become my own.\" (Chapter 13 pg. 73)
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Source A Atwood, Margaret. The Handmaid's Tale. Boston: Houghton Mifflin, 1986. Print.
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\"That was one of the things they do. They force you to kill, within yourself.\" (Chapter 30 pg. 193)
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Source A Atwood, Margaret. The Handmaid's Tale. Boston: Houghton Mifflin, 1986. Print.
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\"Don't let the bastards grind you down. I repeat this to myself but it conveys nothing. You might as well say, Don't let there be air; or Don't be. I suppose you could say that.\" (Chapter 46 pg. 291)
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Source A Atwood, Margaret. The Handmaid's Tale. Boston: Houghton Mifflin, 1986. Print.
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Another reader, less peculiar than myself, might confess to a touch of apathy regarding credit cards (instruments of social control), but I have always been firmly against them and will go to almost any length to avoid using one. (Handmaids Tale criticism)
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Source B (Caryn James)
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\"He beat me today cause he say I winked at a boy in church. I may have got somethin in my eye but I didn't wink. I don't even look at mens. \" (Letter 5)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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\"Harpo ast his daddy why he beat me. Mr._______ say, Cause he my wife. Plus, she stubborn. All women good for—he don't finish. He just tuck his chin over the paper like he do. Remind me of Pa.\" (Letter 13)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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\"Fighting like two mens. Every piece of furniture they got is turned over. Every plate look like it broke. The looking glass hang crooked, the curtains torn. The bed look like the stuffing pulled out. They don't' notice. They fight. He try to slap her. What he do that for? She reach down and grab a piece of stove wood and whack him cross the eyes. He punch her in the stomach, she double over groaning but come up with both hands lock right under his privates. He roll on the floor. He grab her dress tail and pull. She stand there in her slip. She never blink a eye. He jump up to put a hammer lock under her chin, she throw him over her back. He fall bam up gainst the stove.\" (Letter 20)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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\"I ain't never struck a living thing, I say. Oh, when I was at home I tap the little ones on the behind to make 'em behave, but not hard enough to hurt.\" (Letter 39)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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\"Sofia and the prizefighter don't say nothing. Wait for her to pass. Mayor wait too, stand back and tap his foot, watch her with a little smile. Now Millie, he say. Always going on over colored. Miss Millie finger the children some more, finally look at Sofia and the prizefighter. She look at the prizefighter car. She eye Sofia wristwatch. She say to Sofia, All your children so clean, she say, would you like to work for me, be my maid?\" (Letter 85)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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\"All the men got they eyes glued to Shug's bosom. I got my eyes glued there too. I feel my nipples harden under my dress. My little button sort of perk up too. Shug, I say to her in my mind, Girl, you looks like a real good time, the Good Lord knows you do.\" (Letter 82)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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\"Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like.\" (Letter 72)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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\"She say, I love you, Miss Celie. And then she haul off and kiss me on the mouth. Um, she say, like she surprise. I kiss her back, say, um, too. Us kiss and kiss till us can't hardly kiss no more. Then us touch each other.\" (Letter 47)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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\"The Olinka do not believe girls should be educated. When I asked a mother why she thought this, she said: A girl is nothing to herself; only to her husband can she become something.\" (Letter 62)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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\"What I love bet bout Shug is what she been through, I say. When you look in Shug's eyes you know where been where she been, seen what she seen, did what she did. And now she know.\" (Letter 87)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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\"All my life I had to fight. I had to fight my daddy. I had to fight my uncles. I had to fight my brothers. A girl child ain't safe in a family of men, but I ain't never thought I'd have to fight in my own house!\" (Letter 99)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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\"The jail you planned for me is the one you're gonna rot in.\" (Letter 94)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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\"I think it pisses God off when you walk by the color purple in a field and don't notice it.\" (Letter 97)
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Source C Walker, Alice. The Color Purple: A Novel. New York: Harcourt Brace Jovanovich, 1982. Print.
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