Pre-AP English II – Unit 4 (Allusion) – Flashcards

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Symbolic
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Parable representing something else. (Three modes of writing)
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Ironic
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Opposite of what is expected. (Three modes of writing)
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Allusion
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Reference in a writing work to something outside it.
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Historical allusion
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Refers to past events.
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Personal allusions
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Indirectly show the writer doesn't want to communicate clearly.
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Bible, Dictionary, Book on Greek mythology
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Three things to keep handy when reading poetry
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G.K. Chesterton
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Childhood-centered; warm happy family. Valued family unit to a degree that he said it's the foundation of society.
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G.K. Chesterton
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"The Donkey" is one of his best known poems. - When donkey is saying "dumb", he means silent. (Numbers 22:20-35 or to Christ in Isaiah 3:7) - Paul alludes to Epimenides and Aretis (poets from Crete) in Acts 17:28
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Rudyard Kipling
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Born in Bombeii, India.
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Rudyard Kipling
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Prolific author, poet--wrote The Jungle Book.
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Cupid's Arrow
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Classical allusion in the title: Cupid, the boy god, son of Venus, wreaks havoc among men and gods with his archery. He shoots 2 types of arrows: Golden-headed (requited, mutual love), and leaden-headen (unrequited, unmutual love)
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Cupid's Arrow
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Kitty's nickname: "Diana of Tara-Devi" associates her with the virgin huntress Diana, who was the cousin of Venus (who is known for her archery).
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Cupid's Arrow
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Significant to the reference to the Judgement of Paris: An incident that caused the abduction of Helen, which began the Trojan War. Paris a Trojan Prince. He was asked by the gods to judge a beauty contest, to judge: Hera (Juno) Athena Aphrodite (Venus) The prize is a golden apple, which he gives to Venus because she promises him the most beautiful woman, Helen, who was married to the King of Sparta (Menelaus). Aphrodite helps Paris elope with Helen. Starts the Trojan War, in which Paris is mortally wounded by an arrow.
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Cupid's Arrow
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The plot of the story is based upon one of the oldest situations in literature and life, the love-triangle.
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Cupid's Arrow
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The theme is just as old as the plot. The theme is-- the precedence of love over position and material considerations and the choice of a mate. (The mom embodies the false values, and symbolizes authority.)
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Eldorado
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Alludes to the city sought by the conquistadors in Spanish Portugal.
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Eldorado
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Second allusion is a bleak allusion to heaven.
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Eldorado
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In either allusion, it stands for life in general. It's this life goal, a self-conceived notion of an ideal state toward which the individual bends his efforts, or for which the idealist crusades.
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Eldorado
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In all of our quests, the poem implies that Eldorado (in the general, symbolic sense), is not to be found in this world.
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Eldorado
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The "pilgrim shadow" is one who has carried his quest into the next world. His directions seem vague. Stanza 1 has external shadows--mean the difficulties of life. Stanza 2 has internal shadow-- defeat. Stanza 3 is the traveller--ends in death. Stanza 4 -- valley of shadow (allusion to death).
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Eldorado
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Do they imply futility? Do they recommend suicide? ("Down the valley of the shadow,/Ride, boldly, ride.") Is this "Shadow" a successful or unsuccessful "pilgrim"? Is he still questing or now returning? If returning, did he find what he sought, or does he mean "be prepared for disappointment"? Does the poem subtly question the Christian's hope of heaven, as the worlding's hope of finding heaven in this world?
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Eldorado
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These are interesting questions, but the poem is intentionally vague. Certainly it offers a picture of life in which strength fails before the goal--an illusory one--is reached.
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Matthew Arnold
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1822-1888: A national inspector of schools, which convinced him that English education was culturally barren.
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Matthew Arnold
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Concluded that literature was the best way to incorporate spiritual concepts.
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The Progress of Poesy
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"Progress" represents continuation/journey, and "poesy" represents poetry. In either meaning, it is ironic. What is described is a dwindling retroversion rather than a triumphant procession or advance.
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The Progress of Poesy
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Biblical allusion in the first stanza references to the range of Horeb and the rocky outcropping of Sinai, the mount of God. ("Arid mount") b. Through allusion, Arnold is associated poetic inspiration with the divine inspiration of the Law delivered by God to Moses on Mt. Sinai. c. Line 3 adds on allusion to Moses' smiting the rock to bring forth water for thirsting Israel.
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The Progress of Poesy
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Poetic creativity, the poem suggests, is mysterious and divine (Arnold was an agnostic humanist whose only god was man).
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The Progress of Poesy
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The poem is organized by stanzas according to stages of life. a. The creative life is described in terms of the search for water. Imaginative creativity occurs only in youth. In middle years it is chanelled and disciplined even as it is drying up. In old age both source and channel provide nothing.
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The Progress of Poesy
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The last line refers to Moses' being buried in the mountains of Edom, having failed (because of his disobedience in striking the rock) to enter the Promised Land (Exod. 17).
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The Progress of Poesy
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At least 2 and possibly 3 allusions converge in the poem: 1. Mount Sinai 2. The Law 3. Moses' striking of the rock
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G.K. Chesterton
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a. Catholic who places high values on tradition. b. Very conservative.
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On The Pleasures of No Longer Being Very Young
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How does Chesterton feel about aging? a. He celebrates being old, specifying several advantages in his essay. b. List some of the trite platitudes that Chesterton mentions.
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On The Pleasures of No Longer Being Very Young
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IN defending the beliefs and customs passed along from parent to child that young people often reject, Chesterton is in agreement with scripture (Prov. 1:8-9, Jer. 35)
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On The Pleasures of No Longer Being Very Young
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Believes that an idea encapsulated in a memorable statement (a Proverb) is likely to have been preserved because it contains truth.
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G.K. Chesterton
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Belives time brings re-evaluation.
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Edmund Waller
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a. Two great passions: Politics and poetry. b. Poetry for which he is most famous for was panegyric, poetry written to praise someone--often a king or a patron.
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Edmund Waller
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_____ reinforces Chesterton's view by contradicting the prevalent idea that intellectual and creative powers fail after mid-life so that a poet is finished before he reaches old age.
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The Soul's Dark Cottage
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Waller was 84 when he wrote these lines.
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The Soul's Dark Cottage
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Lines 1-2 and 5-6 give metaphoric support to the idea stated directly in lines 3-4. a. The metaphors are also Biblical allusions: the first to II Corinthians 5:1-4 (which itself alludes to Israel's or the Patriarchs' wandering in tents) and the second to Moses' viewing the Promised Land from Mount Pisgah (Duet. 34:1-4). b. The two allusions come together when the journeys of Israel under Moses and Joshua are taken allegorically as a picture of the Christian's passage from this world to the next-- the Jordan River serving as an emblem of death. c. This allegorizing of this segment of Israel's history is not strictly Biblical in origin but classical--an adaption of the pagan mythological view of death as passage over a river. d. The metaphor of the body as a dilapidated cottage is also not precisely the same of that as a body as a tent house. But the truth is nonetheless powerful.
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The Soul's Dark Cottage
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Old age brings greater illumination ("new light") and greater breadth of vision of (of "both worlds", the earthly and the Heavenly).
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Pigeon Feathers
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Written by John Updike.
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Pigeon Feathers
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Only story by Updike which points to hopefullness; other stories written by Updike seem to stress man's helpfulness and isolation.
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Pigeon Feathers
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Updike shows the encroachment of erroneous philosophies on faith.
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Pigeon Feathers
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Mother represents the Romantic view of nature as god; the Father represents the modernistic view of science as god; and the preacher represents the humanistic view of man as god.
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Pigeon Feathers
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P. 106: Allusion/irony. Allusion to H.G. Wells is particularly significant: English author know for satirical novels and popular historical and political writings. He was an athiest who strongly advocated socialism, feminism, and evolution-ism. It is ironic, therefore, that Updike would choose a passage from Wells to serve as the catalyst which starts David on his journey of faith.
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Pigeon Feathers
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P. 106: Thought/Theme. The reference to the mother's "unfamiliar handwriting" reflects the emotional distance already existing between David and his mother, a distance that will increase as his stuggle intensifies.
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Pigeon Feathers
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What is David's struggle? a. To find truth.
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Pigeon Feathers
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David eventually recognizes that man is made in the likeness of God, the Great Designer, who instilled in man a love for patterns and provided patterns as a mode of communication and a channel for delight and pleasure.
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Pigeon Feathers
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David is reaching out for the assurance of that personal Jesus who is God's reliable representative.
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Pigeon Feathers
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David needs to know for certain that the historical, Biblical Jesus is not only the Way and the Truth, but also the Life. The allusions to John's gospel found in this story are significant, for John stresses the divinity of Christ.
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Pigeon Feathers
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The pigeons are birds of the air, and in this story, they function as messengers for the Heavenly Savior's affirmation of love and design to those on earth. a. The seemingly "worthless" birds echo the comforting words of Jesus in Matthew 10:29 and 31.
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Pigeon Feathers
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The grandfather's Bible on the shelf represents truth.
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Pigeon Feathers
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Irony: The mother, who does not believe in God, still keeps the Sabbath.
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Pigeon Feathers
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(Examples of Symbols) On page 109, you have an argument between the mom and dad (about fertilizer, but really about philosophy). Neither character argues logically nor gives any proof of the validity of his belief system.
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Pigeon Feathers
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(Examples of Symbols) Page 114: Reverend Dobson's character represents man as god. (Dobson's character description is used to reinforce the worthlessness of his ideas: "dark eyes", and his small hands flicker like "protesting doves"--symbol of the Holy Spirit.
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Pigeon Feathers
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(Examples of Symbol) P. 119: Books. Rekindle his fear, because they symbolize his struggle. Wells, like David's father, represents scientific materialism. Plato, like Dobson, represents classical humanism. And Galsworthy, like David's mother, represents sentimental Romanticism. However, grandfather's Bible also stands on the shelf, a symbol of truth in the midst of error.
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