Music Appreciation Pt 4 – Flashcards
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            One of the most revolutionary periods in music history was the
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        early baroque period
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            The early baroque was characterized by
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        homophonic texture
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            The middle baroque was characterized by
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        diffusion of the style into every corner of Europe
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            A popular keyboard instrument in which sound was produced by means of brass blades
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        clavichord
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            Affections in baroque usage refers to
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        emotional states or moods of music
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            The most characteristic feature of baroque music is the
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        basso continuo
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            Terraced dynamics refers to
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        a sudden change between loud and soft
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            In the baroque period, the ordinary citizen's opportunities for hearing music usually came from the
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        church
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            In Italy, music schools were often connected with
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        orphanages
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            The music director of a court in the baroque period
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        supervised and directed the musical performances, composed much of the music required for performances, and was responsible for the upkeep of the instruments and music library
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            An important form of orchestral music in the late Baroque period was the
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        concerto grosso
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            An alternation between tutti and solo sections, known as ritornello form, provides
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        fresh melodic ideas
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            A unique feature of Bach's Brandenburg Concerto No, 5 is that this was the first time
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        that the harpsichord has been used as a solo instrument in a concerto grosso
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            The main theme of a fugue is called a
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        subject
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            When another voice presents the main theme of the fugue in the dominant key, this is called
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        the answer
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            When the main theme of a fugue is presented backward, it is called
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        retrograde
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            Opera began in Italy around
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        1600
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            In an opera, characters and plot are revealed through
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        song, rather than speech
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            The text of an opera is called the
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        libretto
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            An operatic female role that demands grace and charm would most likely be sung by a
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        lyric soprano
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            The main attraction for many opera fans is a song for solo voice, known as the
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        aria
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            The orchestral prelude that opens the opera is also called the
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        overture
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            Most early baroque operas were based on Greek mythology and
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        ancient history
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            Members of the Camerata wanted to create a new vocal style based on the
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        music of the ancient Greek tragedies
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            A typical baroque operatic form was the da capo aria in ABA form in which the singer
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        was expected to embellish the returning melody with ornamental tones
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            The first opera house in Europe to offer entry to anyone with the price of admission opened in 1637 in
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        Venice
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            The members of the Camerata wanted the vocal line of their music to follow
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        the rhythms and pitch fluctuations of speech
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            Speech like melody accompanied only by a basso continuo is called
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        secco recitative
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            Monteverdi spent the greater part of his career in the most important church post in Italy, that of
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        St. Mark's, Venice
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            To achieve intensity of expression, Monteverdi used ____ with unprecedented freedom and daring.
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        dissonance
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            In Monteverdi's opera, Orfeo, Orpheus goes to Hades in the hope of bringing _____ back to life.
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        Eurydice
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            True or False? All twelve of Monteverdi's operas are regularly performed in Europe and America.
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        False?
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            To evoke angry or warlike feelings in some of his texts, Monteverdi introduced new orchestral effects, including pizzicato and
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        tremolo
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            Monteverdi's vocal music was ordinarily supported by a ____ and other instruments
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        basso continuo
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            A common variation form in the baroque is the
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        ground bass or basso ostinato
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            Dido and Aeneas, which many people consider the finest opera ever written to an English text, was inspired by
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        Virgil's epic poem the Aeneid
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            Some indication of the acclaim and respect given Purcell by his contemporaries in England can be seen from the fact that he is buried in
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        Westminster Abbey
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            Baroque trio sonatas usually involve _____ performers.
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        four
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            The sonata in the baroque period was a composition in several movements for
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        one to eight instruments
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            Which Baroque sonata was intended for performance in church?
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        sonata da chiesa
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            Corelli's Trio Sonata in A Minor, Op. 3, No. 10, is scored for
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        two violins and basso continuo
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            Characteristics of baroque trio sonatas, the second movement of Corelli's Trio Sonata in A Minor, Op. 3, No. 10, is
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        fuguelike
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            Corelli was unique among Italian Baroque composers in that he wrote
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        only instrumental music
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            Vivaldi is closely identified with the musical life of
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        Venice
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            Vivaldi wrote approximately ______ concertos.
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        450
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            Vivaldi wrote concertos
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        for a great variety of instruments
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            Vivaldi was famous and influential as a virtuoso
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        violinist
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            Vivaldi's La Primavera mmusically depicts
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        spring
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            Bach achieves unity of mood in his compositions by using
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        an insistent rhythmic drive
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            Of Bach's twenty children, ______ went on to become well-known composers.
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        four
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            Bach created masterpieces in every baroque form except the
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        opera
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            Bach's personal music style was drawn from
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        Italian concertos, French dance pieces, and German church music
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            Bach was recognized as the most eminent _____ of his day
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        organist
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            At the end of his compositions, Bach wrote these initials---S.D.G.---which translate as:
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        "to God alone the glory"
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            The Well-Tempered Clavier features preludes and fugues
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        written in all 24 major and minor keys
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            Bach probably wrote his B minor mass for what reason?
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        to show what he could do with this form
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            Baroque suites frequently begin with a
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        French overture
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            Although all movements of a baroque suite are written in the same key, they differ in
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        meter, national origin, and tempo
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            Which of the following is not a part of the baroque suite?
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        waltz
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            The various dances of the baroque suite are usually
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        in AABB form
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            The French overture has
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        two sections: slow-fast
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            The ____ is an instrumental composition based on a chorale.
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        chorale prelude
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            In Bach's day, the Lutheran church service lasted about ___ hour(s).
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        four
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            The ____ is a Lutheran congregational hymn tune.
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        chorale
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            In their use of aria, duet, and recitative, Bach's cantatas closely resembled the ___ of the time.
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        operas
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            A sung piece, or choral work with or without vocal soloists, usually with orchestral accompaniment, is the
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        cantata
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            Oratorios first appeared in
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        Italy
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            The first oratorios were based on
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        stories from the Bible
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            Oratorio differs from opera in that it has no
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        acting, scenery, or costumes
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            In oratorio, the story is carried forward by the
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        narrator's recitatives
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            An element of the oratorio that is especially important and serves to comment on participate in the drama is the
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        chorus
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            George Frideric Handel was born in 1685, the same year as
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        Johann Sebastian Bach
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            Although Handel wrote a great deal of instrumental music, the core of his huge output consists of English oratorios and Italian
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        operas
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            Handel's oratorios are usually based on
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        the Old Testament
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            In addition to being a composer and opera impresario, Handel was a virtuoso
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        organist
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            Handel's Messiah is an example of
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        an oratorio
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            Handel spent the major portion of his life in
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        England
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            Which of the following oratorios is not by Handel?
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        Elijah
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            The focus of a Handel oratorio is usually the
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        chorus
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            Emotional states like joy, grief, and agitation represented in baroque music through specific musical languages.
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        affections
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            Abrupt alternation between loud and soft dynamic levels; characteristic of baroque music
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        terraced dynamics
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            Baroque keyboard instrument in which sound is produced by means of brass blades striking strings, capable of making gradual dynamic changes, but within a narrow volume range
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        clavichord
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            Baroque accompaniment made up of a bass part usually played by two instruments: a keyboard plus a low melodic instrument
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        basso continuo
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            Bass part of a baroque accompaniment with figures (numbers) above it indicating the chords to be played
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        figured bass
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            Piece that sounds fairly complete and independent but is part of a larger composition
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        movement
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            In Italian, all; the full orchestra, or a large group of musicians contrasted with a smaller group; often heard in baroque music
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        tutti
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            Compositional form usually employed in the baroque concerto grosso, in which the tutti plays a ritor- nello, or refrain, alternating with one or more soloists playing new material
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        ritornello form
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            In Italian, refrain; a repeated section of music usually played by the full orchestra, or tutti, in baroque compositions
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        ritornello
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            Theme of a fugue
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        subject
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            Second presentation of the subject in a fugue, usually in the dominant scale
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        answer
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            In a fugue, a melodic idea that accompanies the subject fairly constantly
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        countersubject
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            Transitional section in a fugue between presentations of the subject, which offers either new material or fragments of the subject or countersubject
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        episode
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            Compositional procedure used in fugues, in which a subject is imitated before it is completed; one voice tries to catch the other
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        stretto
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            Single tone, usually in the bass, which is held while the other voices produce a series of changing harmonies against it; often found in figures
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        pedal point (organ point)
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            Variation of a fugue subject in which each interval of the subject is reversed in direction
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        inversion
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            Variation of a fugue subject in which the subject is presented by beginning with its last note and proceeding backward to the first
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        retrograde
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            Variation of a fugue subject in which the original time values of the subject are lengthened
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        augmentation
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            Variation of a fugue subject in which the original time values of the subject are shortened
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        diminution
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            (1) Short piece usually serving to introduce a fugue or another composition; a short piece for piano.
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        prelude
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            Text of an opera
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        libretto
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            Dramatist who writes the libretto, or text, of an opera
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        librettist
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            Voice ranges which include coloratura soprano, lyric soprano, dramatic soprano, lyric tenor, dramatic tenor, basso buffo, and basso profundo, among others
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        voice categories of opera
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            Song for solo voice with orchestral accompaniment, usually expressing an emotional state through its outpouring of melody; found in operas, oratorios, and cantatas
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        aria
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            Vocal line in an opera, oratorio, or cantata that imitates the rhythms and pitch fluctuations of speech, often serving to lead into an aria
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        recitative
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            In opera, a piece performed by three or more solo singers
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        ensemble
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            (1) A group of singers performing together, generally with more than one to a part. (2) In jazz, a statement of the basic harmonic pattern or melody
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        chorus
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            Person who gives cues and reminds singers of their words pitches during an opera performance. The prompter is located in a box just over the edge of center stage, which conceals him or her from the audience
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        prompter
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            Short musical composition, purely orchestral, which opens an opera and sets the overall dramatic mood
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        overture (prelude)
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            Orchestral introductions to later acts of an opera are called
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        prelude
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            In Italian, fellowship or society; a group of nobles, poets, and composers who began to meet regularly in Florence around 1575 and whose musical discussions prepared the way for the beginning of opera
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        camerata
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            Male singer castrated before puberty to retain a high voice range; the most important category of vocal soloists in opera during the baroque period
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        castrato
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            Speechlike melody that is sung by a solo voice accompanied only by a basso continuo
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        secco recitative
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            Speechlike melody that is sung by a solo voice accompanied by the orchestra
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        accompanied recitative
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            Aria in A B A form; after the B section, the term da capo is written; this means from the beginning and indicates a repetition of the opening A section
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        da capo aria
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            From the beginning; an indication usually meaning that the opening section of a piece is to be repeated after the middle section
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        da capo
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            Variation form in which musical idea in the bass is repeated over and over while the melodies above it continually change common in baroque music
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        ground bass (basso ostinato)
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            Musical ornament consisting of the rapid alternation of two tones that are a whole or half step apart
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        trill
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            In baroque music, a set of dance-inspired movements all written in the same key but differing in tempo, meter, and character
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        suite
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            Common opening piece in baroque suites, oratorios, and operas; usually in two parts: the first slow, with characteristic dotted rhythms, full of dignity and grandeur; the second quick and lighter in mood, often starting like a fugue
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        French overture
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            Hymn tune sung to a German religious text
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        chorale
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            Short composition for organ, based on a hymn tune and often used to remind the congregation of the melody before the hymn is sung
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        choral prelude
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            Vocal solo more lyrical than a recitative and less elaborate than aria
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        arioso
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            The difference between an english opera and an italian opera was
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        special affects
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            Who's in the orchestra ~ Purcell
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        strings & continuo
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            Sonata da chiesa =
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        church
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            Sonata da camera =
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        chamber
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            Corelli =
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        trio sonata
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            Recitative =
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        story
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            Aria =
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        emotion
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            Dido's Lamont =
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        ground bass
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            Vivaldi was known for his hair color in which they called him
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        "the red priest"
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            This piece contained a solor and 2 choruses = ritornello
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        Primavera
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            Name the two wives of Bach
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        Maria & Anna
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            How many kids altogether did Bach have?
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        20
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            Tone the piano equally out of tune so you can play in any key signature
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        well tempo
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            Monteverdi played performers/choir on opposite sides of the church. This was called
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        antiphonal
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            The common variation form in Baroque period was
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        ground bass/basso continuo
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            Abbreviation: OP, stands for ____ which means ____
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        Opus, work
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            The ____ is a lutheran hymn tune
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        chorale
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            Handle's writing seems to be ____ than Bachs
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        less complex
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            What was the total number of dead people in the river?
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        6
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            What was the voice type of the boatmen ?
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        bass
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            What was the color of the stage when Eurydice died?
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        black/dark blue
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            Oratorio comments on the drama
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        chorus
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            The instrument that doubles the violin parts is the
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        oboe
