Medieval Music Terms – Flashcards

question
Chant
answer
Earliest body of song preserved through notation. plainsong, plain chant. Different types: Ambrosian, Cistercian, Mozarabic, Gallican, and Gregorian.
question
Gregorian chant
answer
named after Pope Gregory I who organized appr. 3000 church melodies. Latin text that dictates the rhythm and influences the contour of the melody. Set syllabically and melismatically. Monophonic and typically sung acapella by male singers. No dynamics or accents. Sometimes with responsorial passages and antiphonal sections. Modal, non-metric, monophonic, conjunct, Latin, used neumatic notation. Constitutes the majority of the music of the Middle Ages.
question
Formes Fixes
answer
forms that affected musical forms of song setting during 14th and 15 centuries. Involved complex repetition patterns with a refrain. (Machaut) Virelais, Rondeau, Ballade
question
Virelais
answer
one of the formes fixes, cultivated in the 13th ,14th, 15th centuries. Strophic. AbbaA
question
Rondeau
answer
the most long-lasting of the Fr. Formes-fixes, cultivated in the 13th, 14th, 15th centuries. AbaAabAB form (A and B are refrains)
question
Ballade
answer
one of the French forms fixes of the 13th, 14th, 15th centuries. Strophic, typically of love.
question
Antiphonal psalmody
answer
chanting of psalmodic texts by alternating choirs or soloists with the addition of 1 or more refrains (antiphon/antiphona) after each verse.
question
Antiphon
answer
section of chant sung as a REFRAIN to the verses of a psalm. Served as a frame to psalm verse (intro and end).
question
Ars Nova
answer
Transitional era (14th century) between Medieval and Renaissance. Musical centers in France and Italy. Marked by developments in notation (Philippe de Vitry treatise, Ars Nova 1322). Use of isorhythm was an important development and a key characteristic. Characterized by the use of duple and triple meter, use of shorter note values, isorhythm, and harmonic development (use of open 5th for cadence point) Increased secular music. Less use of cantus firmus. Simpler textures. Florid vocal style. (Started in France, then Italy) (Beginnings of the madrigal). Major developments in secular music and in sacred (not to the same degree). First mass cycles - thematically related sections of Mass Ordinary - Messe de Notre Dame.
question
Isorhythm
answer
Technique using a repeated rhythmic (talea) and melodic (color) pattern as a structural element.
question
Cantilena Style
answer
Predominant vocal top line supported by less complex and usually instrumental tenor and countertenor lines.
question
Carol
answer
an English or Latin song with uniform stanzas with a refrain (after each stanza).
question
Ambrosian chant
answer
Early chant repertory associated with Milan. Associated with St. Ambrose (1st century) who reorganized singing and tonality in the Christian Church.
question
Antiphoner
answer
Liturgical book of the Roman rite containing the chants of the Office Hours (Matins, Lauds, Prime, Terce, Sext, None, Vespers, Compline).
question
Ars Subtilior
answer
Musical style of the late 14th century/early 15th century. French vocal music. Intricate rhythms, exotic harmonies. ('more subtle art') Isorhythmic motets and secular songs. Intricate notation.
question
Ballata
answer
poetic and musical form in Italian secular songs (14th/15th centuries). Form: (A) ripresa, 2 (B) piedi, (a) volta. AbbaAbbaA. Landini.
question
Caccia
answer
14th century canonic piece with Italian text. Often dealing with hunting or nature. Hunting style. Voices performed in strict canon with an underlying third part, followed by a ritornello. Often with "animated" additions: horn calls, bird calls, dialogue.
question
Cantigas de Santa Maria
answer
(Canticles of the Virgin Mary) - Collection of 420 songs about the Virgin Mary (1270-1290). Most in the form of a virelai.
question
Carmina Burana
answer
copied collection of music of Notre Dame school and troubadour music into 13th century German manuscript.
question
Choirbook format
answer
large format manuscript used by choirs. Allows everyone to read from the single book.
question
Clausulae
answer
1. (Notre Dame) The concluding of a passage, similar to the idea of a cadence but not a harmonic tool). 2. A polyphonic composition based on part melismatic fragments of chants. Developed into the 13th century motet and given words of its own.
question
Color
answer
Melodic repetition in the tenors of medieval motets and organa. Term originated in rhetoric (meaning repetition).
question
conductus
answer
Metrical Latin sacred song originating in France in 12th century. Often written in the Notre Dame school. Superseded in 13th century by the motet.
question
Chanson
answer
any French-texted secular song. Strophic, through-composed, or in a formes fixe.
question
Discant
answer
a type of (12th/13th centuries) medieval polyphonic technique using a melismatic plainchant tenor. Moves in a note-against-note, contrary movement between voices. Interchange of 5th, 4th, 8va. Used rhythmic modes, and formally balanced phrase-shapes.
question
Gradual
answer
melodically elaborated responsorial chant. Consists of a response and single verse.
question
Rhythmic Modes
answer
rhythmic patterns governing performance of measured sections of Notre Dame organum, motets, conductus. All patterns employ triple meter
question
Lai
answer
an extended song form with several stanzas each using a different metrical form, rhyme scheme, and melody (Lyrical Lai). Troubadours and trouveres repertory. Monophonic usually Machaut - monophonic and polyphonic.
question
Liturgical drama
answer
sung religious dialogues, ceremonies, and plays in Latin
question
Mass
answer
the central rite of the church, celebrating a reenactment of the Last Supper. 2 series of prayers: Ordinary and Proper. The Ordinary: Kyrie, Gloria, Credo, Sanctus, Agnus dei.
question
Mass Ordinary
answer
Kyrie, Gloria, Credo, Sanctus, Agnus dei. Texts don't vary
question
Modes
answer
Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian
question
Motet
answer
a polyphonic genre in which the upper voice or voices are texted (different texts) and the bottom voice (tenor) is untexted. Tenor is usually taken from a solo section of a chant and is set to rhythm and manipulated. Early motets were religious but later included secular texts. Developed in the 13th century from the Clausulae.
question
Jongleur
answer
Fr. Professional entertainer (secular vocal music). Sang, played instruments, juggled, and acrobatics.
question
Goliard
answer
student musicians (secular vocal music)
question
Minnesingers
answer
German - Of aristocratic origins. Sumer is icumen in
question
Meistersinger
answer
German - Merchant class
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Musica Enchiriadis
answer
9th century treatise by Hucbald. Earliest surviving source of polyphony.
question
Organum
answer
chant sung with two distinct parts: melody (tenor) and harmony (duplum). Same melody separated by a 4th or 5th at first. (Beginning of polyphony and ultimately harmony.) As organum evolved, the duplum obtained independence. The borrowed tenor line was augmented, maintaining the cantus firmus, while the duplum became more active, ornamented, and florid. Notre Dame played a key role in the development of it in the 12th/13th centuries - 2 to 4 parts.
question
Modified organum
answer
addition of a voice a 4th or 5th above melody.
question
Modified parallel organum
answer
allowed the pattern to be broken at the beginning and ending of phrases.
question
Free Organum
answer
contrary motion within a phrase.
question
Florid/Melismatic Organum
answer
consists of a series of notes in the upper voice that are sung over longer notes in the lower voice (cantus firmus).
question
Panisorhythm
answer
the use of isorhythm in all voices
question
Psalm
answer
type of sacred song dating back to antiquity.
question
Romanesque Style
answer
(Balbulus, composer) following early Medieval Era. Plainsong, plainsong mass, passion, Sequence Trope, organum, liturgical drama, conductus.
question
St. Martial
answer
Former monastery at Aquitaine in SW France. Important repertoire of polyphonic and monophonic music associated with it.
question
Trecento
answer
Italian period at the end of the Medieval Period
question
Trouvere
answer
N. France. Nobility who composed secular songs. Adam de la Halle important. Wrote Le Jeu de Robin et Marion
question
Worcester Fragments
answer
more than 100 anonymous polyphonic compositions between early 13th century and mid-14th century.
question
Ars Antiqua
answer
a term used to refer to the "old style" typical of 12th century Notre Dame organum and of the 13th century motet and conductus. Characteristized by predominance of triple meter and limited rhythmic vocabulary rhythmic modes, mostly 3-part, "Perfect" rhythm.
question
Copula
answer
style of Notre dame organum in which the top voice is measured but the bottom voice is unmeasured.
question
Gallican chant
answer
early Medieval. France. Before the imposition of Roman chant.
question
Mozarabic chant
answer
early Medieval chant. Spain
question
Hocket
answer
Polyphonic device where the melody is divided between two voice parts. Uses rests to facilitate the alternation of the notes. Many motets by Machaut contain hocket passages.
question
Jubilus
answer
an elaborate melisma of the final syllable of the word "Alleluia".
question
Magnus Liber Organi
answer
collection of 2-voice plainchant setting for liturgical use. Notre Dame. Attributed to Leonin and revised by Perotin. The most important surviving work of the period.
question
Mass proper
answer
sections of the mass whose texts change according to the church calendar.
question
Mensural Notation
answer
rhythmic notation using shapes. Divided into groups of 2 (imperfect) or 3 (perfect). Distinct from rhythmic modes.
question
Notre Dame School
answer
(1150-1250) Cathedral in Paris in mid-12th century. Leonin and Perotin (successor). Cultivated organum, conductus, and liturgical motet. Large repertoire collected in Magnus Liber Organi. Transformation of polyphony from a performing practice into "composition", utilized multiple voices. Utilized rhythmic modes to coordinate voices and made other achievements in notation.
question
Old Hall Manuscript
answer
15th century English manuscript
question
Rhythmic Mode
answer
Divided music into beat groups: Perfect - 3 (for sacred - representing the trinity) and Imperfect - 2 (for secular)
question
Talea
answer
a rhythmic pattern which is repeated exactly in an isorhythmic tenor.
question
Trope
answer
an addition to a pre-existent chant. The insertion of extra texts and melodies between verses of well-know chants. May be monophonic or polyphonic, usually syllabic and sung by soloist. ex. Quem Queritis (trope and Introit)
question
Estampie
answer
instrumental dance from the ars nova.
question
Bamberg Codex
answer
contains motets
question
Calixtinus Codex
answer
12th century manuscript
question
Cistercian
answer
Monastic order. Produced plainchant.
question
Trobairiz
answer
female composers of French secular music.
question
Quadrivium
answer
the four subjects, or arts, taught in medieval universities after the trivium. arithmetic, geometry, music, and astronomy.
question
Franco of Cologne
answer
Theorist and musician. Devised rules for a system of notation referred to as Franconian Notation. "Ars Cantus Mensurabilis"
question
Adam de la Halle
answer
Important trouvere. Work: Jeu de Robin et de marion which has songs for soloists and choruses, and instrumental dances.
question
Francesco Landini
answer
primary Italian composer of the Ars Nova.
question
Machaut
answer
(Notre Dame Mass). Primary French composer of the Ars Nova. Brought Ars Nova to its height. Sacred and secular monophonic and polyphonic music. Built on the style of the late trouveres. Clarity of texture.
question
Perotin
answer
Key figure in the Notre Dame School. Successor of Leonin. Wrote liturgical music in style of Ars Antiqua. Important in the development of polyphony. More concerned with rhythm rather than harmony.
question
Leonel Power
answer
important composer of Burgundian style
question
Philippe de Vitry
answer
Treatise, Ars Nova. New techniques for notation - rhythm and harmony. Isorhythmic motets.
question
Boethius
answer
Greek philosopher and mathmetician. Related music of his time to theories of ancient Greek and Roman philosophers. "De Institutione"
question
John Dunstable
answer
Primary English composer of the Ars Nova. ex. Quam pulcra es
question
Hildegard of Bingen
answer
wrote para-liturgical music (monophonic music on sacred themes but not part of the liturgy)
question
Leonin
answer
Key figure in the Notre Dame School. Compiled Magnus Liber which contained polyphonic chants used at Notre Dame. Important in the development of polyphony, especially organum.
question
Petrus de Cruce
answer
composer who brought the Ars Antiqua style to its height. Wrote motets with complexity.
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question
Chant
answer
Earliest body of song preserved through notation. plainsong, plain chant. Different types: Ambrosian, Cistercian, Mozarabic, Gallican, and Gregorian.
question
Gregorian chant
answer
named after Pope Gregory I who organized appr. 3000 church melodies. Latin text that dictates the rhythm and influences the contour of the melody. Set syllabically and melismatically. Monophonic and typically sung acapella by male singers. No dynamics or accents. Sometimes with responsorial passages and antiphonal sections. Modal, non-metric, monophonic, conjunct, Latin, used neumatic notation. Constitutes the majority of the music of the Middle Ages.
question
Formes Fixes
answer
forms that affected musical forms of song setting during 14th and 15 centuries. Involved complex repetition patterns with a refrain. (Machaut) Virelais, Rondeau, Ballade
question
Virelais
answer
one of the formes fixes, cultivated in the 13th ,14th, 15th centuries. Strophic. AbbaA
question
Rondeau
answer
the most long-lasting of the Fr. Formes-fixes, cultivated in the 13th, 14th, 15th centuries. AbaAabAB form (A and B are refrains)
question
Ballade
answer
one of the French forms fixes of the 13th, 14th, 15th centuries. Strophic, typically of love.
question
Antiphonal psalmody
answer
chanting of psalmodic texts by alternating choirs or soloists with the addition of 1 or more refrains (antiphon/antiphona) after each verse.
question
Antiphon
answer
section of chant sung as a REFRAIN to the verses of a psalm. Served as a frame to psalm verse (intro and end).
question
Ars Nova
answer
Transitional era (14th century) between Medieval and Renaissance. Musical centers in France and Italy. Marked by developments in notation (Philippe de Vitry treatise, Ars Nova 1322). Use of isorhythm was an important development and a key characteristic. Characterized by the use of duple and triple meter, use of shorter note values, isorhythm, and harmonic development (use of open 5th for cadence point) Increased secular music. Less use of cantus firmus. Simpler textures. Florid vocal style. (Started in France, then Italy) (Beginnings of the madrigal). Major developments in secular music and in sacred (not to the same degree). First mass cycles - thematically related sections of Mass Ordinary - Messe de Notre Dame.
question
Isorhythm
answer
Technique using a repeated rhythmic (talea) and melodic (color) pattern as a structural element.
question
Cantilena Style
answer
Predominant vocal top line supported by less complex and usually instrumental tenor and countertenor lines.
question
Carol
answer
an English or Latin song with uniform stanzas with a refrain (after each stanza).
question
Ambrosian chant
answer
Early chant repertory associated with Milan. Associated with St. Ambrose (1st century) who reorganized singing and tonality in the Christian Church.
question
Antiphoner
answer
Liturgical book of the Roman rite containing the chants of the Office Hours (Matins, Lauds, Prime, Terce, Sext, None, Vespers, Compline).
question
Ars Subtilior
answer
Musical style of the late 14th century/early 15th century. French vocal music. Intricate rhythms, exotic harmonies. ('more subtle art') Isorhythmic motets and secular songs. Intricate notation.
question
Ballata
answer
poetic and musical form in Italian secular songs (14th/15th centuries). Form: (A) ripresa, 2 (B) piedi, (a) volta. AbbaAbbaA. Landini.
question
Caccia
answer
14th century canonic piece with Italian text. Often dealing with hunting or nature. Hunting style. Voices performed in strict canon with an underlying third part, followed by a ritornello. Often with "animated" additions: horn calls, bird calls, dialogue.
question
Cantigas de Santa Maria
answer
(Canticles of the Virgin Mary) - Collection of 420 songs about the Virgin Mary (1270-1290). Most in the form of a virelai.
question
Carmina Burana
answer
copied collection of music of Notre Dame school and troubadour music into 13th century German manuscript.
question
Choirbook format
answer
large format manuscript used by choirs. Allows everyone to read from the single book.
question
Clausulae
answer
1. (Notre Dame) The concluding of a passage, similar to the idea of a cadence but not a harmonic tool). 2. A polyphonic composition based on part melismatic fragments of chants. Developed into the 13th century motet and given words of its own.
question
Color
answer
Melodic repetition in the tenors of medieval motets and organa. Term originated in rhetoric (meaning repetition).
question
conductus
answer
Metrical Latin sacred song originating in France in 12th century. Often written in the Notre Dame school. Superseded in 13th century by the motet.
question
Chanson
answer
any French-texted secular song. Strophic, through-composed, or in a formes fixe.
question
Discant
answer
a type of (12th/13th centuries) medieval polyphonic technique using a melismatic plainchant tenor. Moves in a note-against-note, contrary movement between voices. Interchange of 5th, 4th, 8va. Used rhythmic modes, and formally balanced phrase-shapes.
question
Gradual
answer
melodically elaborated responsorial chant. Consists of a response and single verse.
question
Rhythmic Modes
answer
rhythmic patterns governing performance of measured sections of Notre Dame organum, motets, conductus. All patterns employ triple meter
question
Lai
answer
an extended song form with several stanzas each using a different metrical form, rhyme scheme, and melody (Lyrical Lai). Troubadours and trouveres repertory. Monophonic usually Machaut - monophonic and polyphonic.
question
Liturgical drama
answer
sung religious dialogues, ceremonies, and plays in Latin
question
Mass
answer
the central rite of the church, celebrating a reenactment of the Last Supper. 2 series of prayers: Ordinary and Proper. The Ordinary: Kyrie, Gloria, Credo, Sanctus, Agnus dei.
question
Mass Ordinary
answer
Kyrie, Gloria, Credo, Sanctus, Agnus dei. Texts don't vary
question
Modes
answer
Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian
question
Motet
answer
a polyphonic genre in which the upper voice or voices are texted (different texts) and the bottom voice (tenor) is untexted. Tenor is usually taken from a solo section of a chant and is set to rhythm and manipulated. Early motets were religious but later included secular texts. Developed in the 13th century from the Clausulae.
question
Jongleur
answer
Fr. Professional entertainer (secular vocal music). Sang, played instruments, juggled, and acrobatics.
question
Goliard
answer
student musicians (secular vocal music)
question
Minnesingers
answer
German - Of aristocratic origins. Sumer is icumen in
question
Meistersinger
answer
German - Merchant class
question
Musica Enchiriadis
answer
9th century treatise by Hucbald. Earliest surviving source of polyphony.
question
Organum
answer
chant sung with two distinct parts: melody (tenor) and harmony (duplum). Same melody separated by a 4th or 5th at first. (Beginning of polyphony and ultimately harmony.) As organum evolved, the duplum obtained independence. The borrowed tenor line was augmented, maintaining the cantus firmus, while the duplum became more active, ornamented, and florid. Notre Dame played a key role in the development of it in the 12th/13th centuries - 2 to 4 parts.
question
Modified organum
answer
addition of a voice a 4th or 5th above melody.
question
Modified parallel organum
answer
allowed the pattern to be broken at the beginning and ending of phrases.
question
Free Organum
answer
contrary motion within a phrase.
question
Florid/Melismatic Organum
answer
consists of a series of notes in the upper voice that are sung over longer notes in the lower voice (cantus firmus).
question
Panisorhythm
answer
the use of isorhythm in all voices
question
Psalm
answer
type of sacred song dating back to antiquity.
question
Romanesque Style
answer
(Balbulus, composer) following early Medieval Era. Plainsong, plainsong mass, passion, Sequence Trope, organum, liturgical drama, conductus.
question
St. Martial
answer
Former monastery at Aquitaine in SW France. Important repertoire of polyphonic and monophonic music associated with it.
question
Trecento
answer
Italian period at the end of the Medieval Period
question
Trouvere
answer
N. France. Nobility who composed secular songs. Adam de la Halle important. Wrote Le Jeu de Robin et Marion
question
Worcester Fragments
answer
more than 100 anonymous polyphonic compositions between early 13th century and mid-14th century.
question
Ars Antiqua
answer
a term used to refer to the "old style" typical of 12th century Notre Dame organum and of the 13th century motet and conductus. Characteristized by predominance of triple meter and limited rhythmic vocabulary rhythmic modes, mostly 3-part, "Perfect" rhythm.
question
Copula
answer
style of Notre dame organum in which the top voice is measured but the bottom voice is unmeasured.
question
Gallican chant
answer
early Medieval. France. Before the imposition of Roman chant.
question
Mozarabic chant
answer
early Medieval chant. Spain
question
Hocket
answer
Polyphonic device where the melody is divided between two voice parts. Uses rests to facilitate the alternation of the notes. Many motets by Machaut contain hocket passages.
question
Jubilus
answer
an elaborate melisma of the final syllable of the word "Alleluia".
question
Magnus Liber Organi
answer
collection of 2-voice plainchant setting for liturgical use. Notre Dame. Attributed to Leonin and revised by Perotin. The most important surviving work of the period.
question
Mass proper
answer
sections of the mass whose texts change according to the church calendar.
question
Mensural Notation
answer
rhythmic notation using shapes. Divided into groups of 2 (imperfect) or 3 (perfect). Distinct from rhythmic modes.
question
Notre Dame School
answer
(1150-1250) Cathedral in Paris in mid-12th century. Leonin and Perotin (successor). Cultivated organum, conductus, and liturgical motet. Large repertoire collected in Magnus Liber Organi. Transformation of polyphony from a performing practice into "composition", utilized multiple voices. Utilized rhythmic modes to coordinate voices and made other achievements in notation.
question
Old Hall Manuscript
answer
15th century English manuscript
question
Rhythmic Mode
answer
Divided music into beat groups: Perfect - 3 (for sacred - representing the trinity) and Imperfect - 2 (for secular)
question
Talea
answer
a rhythmic pattern which is repeated exactly in an isorhythmic tenor.
question
Trope
answer
an addition to a pre-existent chant. The insertion of extra texts and melodies between verses of well-know chants. May be monophonic or polyphonic, usually syllabic and sung by soloist. ex. Quem Queritis (trope and Introit)
question
Estampie
answer
instrumental dance from the ars nova.
question
Bamberg Codex
answer
contains motets
question
Calixtinus Codex
answer
12th century manuscript
question
Cistercian
answer
Monastic order. Produced plainchant.
question
Trobairiz
answer
female composers of French secular music.
question
Quadrivium
answer
the four subjects, or arts, taught in medieval universities after the trivium. arithmetic, geometry, music, and astronomy.
question
Franco of Cologne
answer
Theorist and musician. Devised rules for a system of notation referred to as Franconian Notation. "Ars Cantus Mensurabilis"
question
Adam de la Halle
answer
Important trouvere. Work: Jeu de Robin et de marion which has songs for soloists and choruses, and instrumental dances.
question
Francesco Landini
answer
primary Italian composer of the Ars Nova.
question
Machaut
answer
(Notre Dame Mass). Primary French composer of the Ars Nova. Brought Ars Nova to its height. Sacred and secular monophonic and polyphonic music. Built on the style of the late trouveres. Clarity of texture.
question
Perotin
answer
Key figure in the Notre Dame School. Successor of Leonin. Wrote liturgical music in style of Ars Antiqua. Important in the development of polyphony. More concerned with rhythm rather than harmony.
question
Leonel Power
answer
important composer of Burgundian style
question
Philippe de Vitry
answer
Treatise, Ars Nova. New techniques for notation - rhythm and harmony. Isorhythmic motets.
question
Boethius
answer
Greek philosopher and mathmetician. Related music of his time to theories of ancient Greek and Roman philosophers. "De Institutione"
question
John Dunstable
answer
Primary English composer of the Ars Nova. ex. Quam pulcra es
question
Hildegard of Bingen
answer
wrote para-liturgical music (monophonic music on sacred themes but not part of the liturgy)
question
Leonin
answer
Key figure in the Notre Dame School. Compiled Magnus Liber which contained polyphonic chants used at Notre Dame. Important in the development of polyphony, especially organum.
question
Petrus de Cruce
answer
composer who brought the Ars Antiqua style to its height. Wrote motets with complexity.
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