Introduction to Modern Drama Study Quiz – Flashcards

For over fifteen years there was no word of this yearning in the millions of words written about women, for women, in all the columns, books and articles by experts telling women their role was to seek fulfillment as wives and mothers. Over and over women heard in voices of tradition and of Freudian sophistication that they could desire no greater destiny than to glory in their own femininity. Which words best emphasize society's view of the "experts" who claimed to understand women's needs?

According to the article "Introduction to Modern Drama Study," which of the following best explains why more women began to emerge as playwrights in the 1960s?

In the late fifties, a sociological phenomenon was suddenly remarked: a third of American women now worked, but most were no longer young and very few were pursuing careers. They were married women who held part-time jobs, selling or secretarial, to put their husbands through school, their sons through college, or to help pay the mortgage. The key terms in the excerpt most contribute to which of the following ideas?

"If I have only one life, let me live it as a blonde," a larger-than-life-sized picture of a pretty, vacuous woman proclaimed from newspaper, magazine, and drugstore ads. And across America, three out of every ten women dyed their hair blonde. They ate a chalk called Metrecal, instead of food, to shrink to the size of the thin young models. Department-store buyers reported that American women, since 1939, had become three and four sizes smaller. The underlined terms in this excerpt most relate to which issue?

And so she must accept the fact that "American women's unhappiness is merely the most recently won of women's rights," and adjust and say with the happy housewife found by Newsweek: "We ought to salute the wonderful freedom we all have and be proud of our lives today. I have had college and I've worked, but being a housewife is the most rewarding and satisfying role." The underlined key terms most relate to what issue?

I heard echoes of the problem in college dormitories and semiprivate maternity wards, at PTA meetings and luncheons of the League of Women Voters, at suburban cocktail parties, in station wagons waiting for trains, and in snatches of conversation overheard at Schrafft's. The groping words I heard from other women, on quiet afternoons when children were at school or on quiet evenings when husbands worked late, I think I understood first as a woman long before I understood their larger social and psychological implications. Based on the underlined words and phrases, what is Friedan most likely trying to express?

But the actual unhappiness of the American housewife was suddenly being reported—from The New York Times and Newsweek to Good Housekeeping and CBS television ("The Trapped Housewife"), although almost everybody who talked about it found some superficial reason to dismiss it. Which best describes the connotation of the word "superficial" in the excerpt?

COUNTY ATTORNEY. No—it's not cheerful. I shouldn't say she had the homemaking instinct. MRS. HALE. Well, I don't know as Wright had, either. COUNTY ATTORNEY. You mean that they didn't get on very well? MRS. HALE. No, I don't mean anything. But I don't think a place'd be any cheerfuller for John Wright's being in it. Which feminist theme is most supported by the excerpt?

COUNTY ATTORNEY. I guess before we're through she may have something more serious than preserves to worry about. HALE. Well, women are used to worrying over trifles. (The two women move a little closer together.) COUNTY ATTORNEY (with the gallantry of a young politician). And yet, for all their worries, what would we do without the ladies? (The women do not unbend. He goes to the sink, takes a dipperful of water from the pail and, pouring it into a basin, washes his hands. Starts to wipe them on the roller-towel, turns it for a cleaner place.) Dirty towels! (Kicks his foot against the pans under the sink.) Not much of a housekeeper, would you say, ladies? Which theme of early feminist drama is reflected in the excerpt?

For human suffering there is a reason; perhaps the reason has not been found because the right questions have not been asked, or pressed far enough. I do not accept the answer that there is no problem because American women have luxuries that women in other times and lands never dreamed of; part of the strange newness of the problem is that it cannot be understood in terms of the age-old material problems of man: poverty, sickness, hunger, cold. The women who suffer this problem have a hunger that food cannot fill. Based on Friedan's word choice, which best describes the tone of the excerpt?