Chapter 25-27 – Flashcards

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It is possible in the twentieth century, as it was in earlier periods, to apply one general label to the music of a significant period of time
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False
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Over the course of the twentieth century, which of the following took place?
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All
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Even in this age of increased mass education in music, audiences are actually less prepared than ever before to appreciate the music of their own t
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False
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Post-Romanticism refers to the last stage and aftermath of __________ Romanticism, which was dominant throughout the late nineteenth century.
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German
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Strauss's musical style incorporated all of the following except
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an affinity for simple, tuneful melodies
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a leader of Post-Romantic composers, was strongly influenced by both Romanticism of Wagner and the Classicism of Mozart
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Richard Strauss
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The following were all TRUE of Post-Romantic composers except
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they turned to Western, pentatonic scales
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best known for his powerful symphonies, used a huge orchestra and extensive range of orchestral colo
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Gustav Mahler
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The following were all TRUE of Mahler's music except
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he rejected chromaticism and returned to traditional tonality.
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A late nineteenth- and early twentieth-century musical style that resulted from explorations of the subconscious mind was called
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Expressionism
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A strange and tormented genius whose highly emotional style anticipated Expressionism was the Dutch painter
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Van Gogh
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Expressionistic painters portrayed the frustration, terror, and guilt suffered by humanity.
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True
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Music in which there is no dominance of or momentum toward a tonic pitch, like that written by Schoenberg, is called
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atonal
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In 1912, Schoenberg wrote a __________ called Pierrot Lunaire (The Moonstruck Pierrot).
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song cycle
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Sprechstimme is
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a vocal technique using expressive glides from one inexact note to another.
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A common Expressionistic technique is distortion of images for emotional effect.
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True
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wrote the opera Wozzeck
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Alban Berg
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During the 1860s, a movement began in France that became known as Symbolism in the field of literature and as __________ in painting and music.
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Impressionism
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Symbolist poets and Impressionistic painters and composers sought to achieve the most realistic effects by denying "realism" and expressing the suggestion of an object or idea.
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True
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Symbolist poets dealt with literal meanings and effects of words
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False
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The leader of the Symbolist movement was __________, who used words for their "tone color."
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Stephane Mallarme
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startled the art world with an impressionistic painting of sunrise over water which he entitled Impression: Sunrise
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Claude Monet
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The Impressionists admired and sometimes emulated aspects of Oriental, especially Japanese, art.
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True
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The first and greatest Impressionistic composer was
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Claude Debussy
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Debussy favored the term Impressionism
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False
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Debussy explored all of the following musical influences except
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the intense chromaticism of German Romantic music.
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Debussy used parallel successions of octaves, fifths, and fourths; harmonic techniques that had been forbidden in Western harmony since the advent of the tonal system.
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True
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Debussy's __________, Pelleas et Melisande (1902), is the epitome of Impressionistic art and one of the great masterpieces of twentieth-century music
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opera
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The following were all characteristic of French composer Debussy except
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he scrupulously maintained the distinction between major and minor modes
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an Impressionistic composer, was primarily a classicist who used clearly defined melodic phrases, strong rhythms, and functional harmonies based on traditional key relationships
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Maurice Ravel
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In America, __________ became known as the American Impressionist
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Charles Griffes
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The White Peacock and "Pleasure Dome of Kubla Khan" were written for piano by
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Charles Griffes
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The Primitivist movement in art and music was
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adamantly opposed to Romanticism
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The outstanding Primitivist painter was Frenchman
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Paul Gaugin
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The musical masterpiece of Primitivism, Le Sacre du Printemps (The Rite of Spring), was written by Russian composer
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Igor Stravinsky
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The Rite of Spring was a revolutionary ballet score about
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a brutal human sacrifice to appease primitive gods in pagan Russia.
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In twentieth-century art, although there has been a significant return to __________ ideals, certain individuals have chosen to express raw emotion to an extent unprecedented in Western history
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classical
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All of the following were artistic styles that reflected the uncertainties and alienation of the early twentieth century except
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Experimentalism
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The outstanding sculptors of the early twentieth century moved away from the exaggerated expression of the late Romantic period and embraced a simpler, more classical style
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True
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The famous and influential twentieth-century school of architecture called the __________ was devoted to the maxim that "form follows function."
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Bauhaus
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The twentieth-century nihilistic movement that expressed a violent and bitter protest against the horrors of World War I was called
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Dadaism
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A viable and lasting twentieth-century movement in literature and painting that juxtaposed the most unlikely images upon one another in an attempt to achieve a "super" realism was called
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Surrealism
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The career of the great painter Pablo Picasso ran parallel to that of the composer Stravinsky in that both
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were innovators who returned periodically to the principles of Classicism
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The painting called Les Demoiselles d'Avignon (The Young Ladies of Avignon) heralded the beginning of __________, one of the most significant movements in twentieth-century art.
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Cubism
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painted by Picasso in 1937, depicts the agony and terror of the Spanish Civil War
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Guernica
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The __________ were so interested in form that they imposed geometric planes upon subjects of every nature, creating an unrealistic, but curiously expressive, style of art.
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Cubists
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All of the following are TRUE of twentieth-century music except
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most twentieth-century music lacks creativity and the diversity of new styles and techniques
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Due to the increased importance of rhythm, timbre, and harmony, melody is absent from most twentieth-century music
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False
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New melodies can be based on major and minor scales, modes, whole tone scales, Eastern scales, and artificial scales.
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True
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Many twentieth-century melodies are __________ in contour, when compared to melodies of the Romantic period.
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angular
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In twentieth-century music, a melody split over several octaves is called
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octave displacement
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Twentieth-century harmony can include a wide variety of harmonies, with chords constructed of intervals of seconds, thirds, fourths, fifths, or a mixture of any of these
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True
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It is the __________ of much twentieth-century music that many listeners find particularly challenging
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dissonant harmonies
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The use of extreme dissonance by some contemporary composers is a logical continuation of a long-established trend in Western music
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True
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The revitalized rhythm of twentieth-century musicians reflects all of the following except
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An exploration of "rhytms" created by nature
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When two or more meters are combined at one time, the technique is called
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polymeter
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Some composers write rhythmic patterns that are so complex they are beyond the capacity of human beings to reproduce and must be "performed" using computers and tape
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True
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The unprecedented interest in sonority and timbre in modern music has led to
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new compositions for older instruments such as the harpsichord and lute
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Interest in the qualities and effects of sound around the middle of the twentieth century led to the invention of the electronic
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synthesizer
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The twentieth-century orchestra is generally __________ than in the Romantic period
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smaller
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In the twentieth century, there has been a strong interest in chamber music of many kinds
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True
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Some twentieth-century composers, inspired by jazz techniques, require instrumentalists to perform __________, expressive slides from one tone to another
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glissandos
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have created new sounds from traditional instruments by playing upon unusual parts, such as the strings of the piano or the bridge of the violin
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Experimentalists
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The twentieth century has witnessed a renewed appreciation for __________ texture
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polyphonic
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The return to classical interests has led many composers to rely upon principles of __________ music
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absolute
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When the form of a composition is dependent upon the circumstances of each performance it is said to
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indeterminate
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A new music called ________ profoundly affected evolutionary and revolutionary musicians on both sides of the Atlantic
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jazz
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During the twentieth century, the most influential development was __________ twelve-tone technique, which many composers have adapted to their own personal styles of composition
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Arnold Schoenberg
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The twelve-tone technique was actually a logical extension of the extreme __________ used by Wagner in Tristan und Isolde.
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chromaticism
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Schoenberg devised the twelve-tone technique as a means of replacing tonal relationships with an even more highly structured system of organization
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True
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In the twelve-tone method of composition, all twelve notes within an octave are
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arranged into a series, or row that forms the basis of the work
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According to the twelve-tone technique, a twelve-tone row can undergo any of these techniques except
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random sampling
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In his early work Pierrot Lunaire, Schoenberg broke the boundaries of tradition by employing unusual techniques such as
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all of the above
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After 1905, each of the following characteristics could be found in Schoenberg's music except
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pieces suited for relatively large ensembles
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All of the following applies to Anton Webern except
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he felt that Schoenberg had gone too far away from traditional tonality
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Webern's distinct separation of sounds is reminiscent of the visual technique called
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pointillism
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Although he mastered Schoenberg's twelve-tone technique, __________ illustrated his romantic inclinations in his writing; his work is more lyrical than either Schoenberg's or Webern's
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Alban Berg
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The revolutionaries who have radically altered not only the traditional methods of composing and presenting music, but also the very concept of what constitutes music as opposed to noise are called
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Experimentalists
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The Experimentalist composers are united by their
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curiosity about and creativity toward sound and music
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The center of Experimentalism was
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Great Britain
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An inventive nature, plus an unconventional upbringing, destined __________ to become an Experimentalist who made his living selling insurance
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Charles Ives
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Although Ives wrote challenging music, he enjoyed immediate acceptance from American audiences for most of his works
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False
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Charles Ives wrote provocative essays about important literary figures, including Ralph Waldo Emerson and Henry David Thoreau, and he portrayed some of them musically in his piano composition, the __________ Sonata
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Concord
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The following are all true of Ives's music except
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his music produces mostly consonant sounds
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born in California and reared in an atmosphere that precluded allegiance to musical orthodoxy, loved Oriental music and modal church music, country fiddle tunes, early American hymns, and Irish folk tunes
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Henry Cowell
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In The Tides of Mananaun, Henry Cowell introduced ________, groups of randomly selected notes played with the flat of the hand or the arm
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none
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conducted far-reaching experiments that extended the range of timbres that may be produced by a grand piano
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Henry Cowell
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Henry Cowell's interest in timbre led him to
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all
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who was born in France but immigrated to America, considered a career in engineering before his fascination with sound led him to become a composer instead
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Edgard Varese
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Of all elements of music, __________ most appealed to Edgard Varèse, who was interested in the physics as well as the aesthetics of sound.
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timbre
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Edgard Varèse scrupulously avoided reference to the major or minor scales, preferring a pitch "continuum" containing every gradation of pitch between a given interval to any scale at all
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True
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A definition of musique concrete is music
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in which all sounds are considered valid
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26 INCORRECT An instrument that allows a composer to produce imitative, altered, or original sounds is called a(n)
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synthesizer
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Some composers combined the technological resources of the synthesizer and tape recorder with the mathematical logic of total serialism. The leader of this style of composition is the American composer
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Charles Ives
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Milton Babbitt wrote
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Ensembles for Synthesizer
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Because Babbitt's music was conceived and constructed in the same way as other music, it can be approached in the same way by the listener
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False
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Music that incorporates random choices by either the composer or the performers is called all of the following except, chance, or aleatoric music may be required to choose among many alternatives
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serial
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The word aleatoric is derived from alea, the Latin word for
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dice
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John Cage wrote random music to be "played" by several radios. The title of this composition is
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Imaginary Landscape
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studied composition with three important revolutionaries: Schoenberg, Varèse, and Cowell
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John Cage
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In the 1940s, John Cage devised an economical means of expanding the range of a piano's sound by inventing the __________ piano
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prepared
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John Cage combines the tape recorder with a live vocalist in one of his best-known compositions, Aria and Fontana Mix
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True
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John Cage demonstrated the fact that absolute silence is an absurd concept in the composition 4'33", a piece written for four performers playing thirty-three different instruments
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False
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The typical orchestra of Indonesia, __________ differs from the Western string ensemble in that it consists mostly of percussion instruments, with some wind and string instruments to color the sound
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the gamelan
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Like other innovative composers, __________ derived his "new" ideas from such influential composers as Stravinsky, Webern, and Schoenberg
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Pierre Boulez
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forms the basis for Pierre Boulez's approach to composition
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Serialism
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Rejecting the tone row as the basis for composition, Pierre Boulez prefers a(n) __________ (themeless) style, organized according to the ideals of total serialism
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athematic
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Although __________ was among the most revolutionary of composers, he derives many ideas from older traditions and earlier styles.
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Karlheinz Stockhausen
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One of Stockhausen's most famous scores, __________, is written for three orchestras and involves spatial relationships reminiscent of the Venetians' sixteenth-century polychoral style
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Gruppen
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With three sound generators, Stockhausen produced a combination of sounds called __________, so named because it represented a spectrum of sounds as white includes the spectrum of colors.
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white noise
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The first published electronic music score was Stockhausen's "Electronic Studies" of 1953
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True
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Stockhausen has been involved in all phases of electronic music, including musique concrete, but he avoids combinations of live and taped music
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False
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combines traditional folk elements from his native Poland with various "mainstream" procedures and provocative avant-garde concepts
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Karlheinz Stockhausen
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Penderecki's composition, Threnody for the Victims of Hiroshima, concerns itself with the Nazi persecution of Jews in Poland
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False
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The influence of Medieval and other early styles is apparent in much of Penderecki's music
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True
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