Tinker Gallery looking to compare two pieces of art. The museum is permanently displaying Putnam Foundation Collection. This specific collection contains art work spanning from old American art to Russian Icons from the Moscow and Inventor schools. As I strolled the room, I took care to notice every piece of art that was displayed. How much do you actually see when you look at a painting on the first glance? You probably Just see the obvious main points that painter wants you to see. However, when you take a deeper look, you can see details of architecture, the efferent classes of people.
You also might notice the lighting and the rushing of the crowd, but you also wonder what the story Is behind the painting. While perusing the gallery I was fascinated by two paintings In particular. The first one Is from a collection of Italian painters by Luck Carnival]s -The Pizzeria at Venice. The size of the painting is 38 x 76-7/8 inches; it is painted with oil on canvas. The second painting from a collection of French painters by Philippe De Champaign is Christ Healing the Blind, oil on canvas as well with dimensions of 40-1/4 x 55-7/8
It may have been derived from the Portuguese bronco or the Spanish barbecue to Indicate an Irregularly shaped pearl. The word Itself does not accurately define or even approximate the meaning of the style to which it refers. However, by the end of the 18th century baroque had entered the terminology of art criticism as an epithet leveled against 17th-century art. Heimlich WГ¶elfin, in Principles of Art History (191 5; translated 1932), first pointed out the fundamental differences between the art of the 6th and 17th centuries, stating that “baroque is neither a rise nor a decline from classic, but a totally different art. Among the general characteristics of the Baroque art Is a sense of movement, energy, and tension. Strong contrasts of the light and shadow enhance the dramatic effects of many paintings. Realism is one the features of Baroque art; the figures in the paintings are not types but individuals with their own personalities. The intensity and immediacy, its individualism and details are observed in such things as the convincing rendering of clothing and skin textures. Baroque period is the period when religion determined many aspects of the art.
The Roman Catholic Church was a highly influential patron, and Its the Counter Reformation, a movement to combat the spread of Protestantism, employed the emotional, realistic, and dramatic art as a means of propagating the faith. In 1643 Philippe De Champaign became involved with Jansenism, a religious movement, primarily in France, that emphasized original sin, human depravity, the necessity of divine grace. By the time he passed away in 1674, Philippe De Champagne painted a moment of “Christ Healing the Blind”.
He depicted the billing people that are being helped by Christ, live on the outskirts of the city. De Champagne showed us the different classes of people in that time period. At a closer look, the painting depicts the influence of Christ on everyone around him, not just his deeds. It also demonstrates that Christ has many followers – the people of all sorts outside of the city and in the fine detail you can even see people rushing towards the Christ. De Champagne showed the amazing architecture in the back with great details.
An of it. That particular part makes you remember the biblical symbol of the house not lilt on the sand but on the rock so it would not be easily destroyed. Another detail is the depiction of a bridge, and again it might be a biblical symbol, as commonly believed the close relationship between man and God was broken, sin created a great divide between man and God. In book of Isaiah said “… Your iniquities have separated you from your God; your sins have hidden his face from you, so that he will not hear. (Isaiah 59:2) The gap between men and God has been bridged by Christ. As the Jansenism, De Champaign wanted his work to be honest and sincere, and as a Baroque artist, he attempts to capture strong emotions from the viewer. Whether by the contrast of light and dark, by the strong use of diagonals, or by the biblical story being told, his painting is full of life and movement. I came across another painting which caught my eye, from a collection of Italian painters by Luck Corollaries -The Pizzeria at Venice.
Venice was a favorite subject of Italian view painters, and Luck Corollaries was the first to popularize this genre through his paintings and illustrations. Despite an apparent lack of any formal training, Luck Corollaries excelled as a Venetian view painter. Scholars considered him the first artist to have consciously emphasized the importance and magnificence of Venice by depicting it as a center of international activity. Corollaries began his career in 1703 with the monumental publication of The Buildings and Views of Venice Designed in Perspective and Engraved.
The illustrations of 104 views of Venice were, at the time, considered “the most complete survey of the fabric of the city ever produced. ” Careerism’s oil painting of The Pizzeria at Venice displays great depth and the dimensions. He portrays the view of the town from the Grand Canal, by using almost recipe accuracy. The faces of the people in the painting are in depth and the lines used make my appreciation of it. The wide span of colors and hues make the painting come to life. The light used is natural. The context of this painting is Just the daily life of everyday people and the real beauty of that.
Corollaries depicts Venice as a city of pleasure and peace. The painting’s composition draws the viewers into the picture, to the center of Pizzeria toward a distance, to the other parts of the city, as if the viewer were on a nearby, close distance. He uses wide range of colors with warm, olden light. The colors of the sky, the clouds, and the buildings are breathtaking and the technique of loose brush work enhances the hue of the painting. The light flashes from the sky and illuminating center of the Pizzeria.
The artist expressed one of the ordinary days that could be seen at the Pizzeria but accomplished more than Just a visual record of the city’s moment; he captured the appearance of the city itself, much like a chronicler. He represented Venice with documentary accuracy drawing using his knowledge of architecture. His painting of the Pizzeria places the viewer n a boat on the Grand Canal, looking north toward the Piazza of SST. Mark. The direction of the shadows from the southwest indicates that the time is afternoon. On the left are the library of Assassins, the lower portion of its Campanile, and the column of SST.
Theoretic. To the right are the south side of SST. Mark’s, the Doge’s Palace, and the column of SST. Mark. The buildings, though not entirely accurate in certain architectural details, remain largely unchanged to this day. Both artists have included crowds of people in their compositions. However, people in De Cheapening moving in the same direction. Luck Corollaries added crowds as well, elegantly composed of individuals whom he carefully depicted in oil sketches before incorporating them into his vetted; nevertheless there is something static about the scene in his painting.
Corollaries painting is full of architectural details. The most fascinating part of the painting is the architectural details of Doge’s Palace. Its fade consists of two superimposed galleries, and another floor above pierced with Gothic arched windows. The tracery of the second floor has equatorial openings over the columns, and the first floor is a colonnade of Gothic arches. As for the architecture in the De Champaign painting it is beautiful as well, but it is not the focal point of the painting. Nevertheless it looks intriguing and mysterious and caries hidden symbolism.
The fact that all people in the painting are moving in the same direction, towards the viewer, gives the painting a sense of harmony. The crowd that Luck Corollaries has depicted in his painting, consists of groups of people who belong to different social classes, and seems like every single person has to take care of their own business. Also the crowed is depicted in such way and on the small scale so it loud not take away viewers attention from the main focus of the painting which is the beautiful architecture of Venice.
The focus of Philippe De Champaign Christ Healing the Blind painting is the people and the architecture fades away, the colors are darker and they create contrast. The main emphasis of the painting by Luck Corollaries -The Pizzeria at Venice is to show the beauty of the architecture and the color pallet is bright with warm gold colors . Nevertheless, each piece is excruciatingly incredible and deliberate, yet despite differences, they shared certain arouse elements, such as a preoccupation with the potential of light.