Post-Modernism is simultaneously the most controversial and fascinating architectural movement of recent decades. Never has a style been by turns, so all pervasive and then so abruptly unfashionable. Embraced in the late 1970s and 1980s by designers and clients alike, by the early 1990s, it had come to be regarded by the architectural community synonymous with the worst of commercial architecture and classical pastiche. The exact word ‘Post-Modern’ is still likely to evoke knee-jerk revulsion in the majority of architects over 40. Accordingly, Post-Modernism describes the development of a society that is characterized by popular culture and mass media which are vital and powerful situations and controls and shapes all other types of the social relationships. Ideally, popular media images and cultural signs dominate the society’s sense of reality. In addition, it defines the environment in the region which is commonly characterized by technological advancement and cultural improvement across the world.
Though Post-Modernism can be attributed to the ancient architects, the current society has faced tremendous changes in an attempt to adhere to the post modernism. Despite this, relatively little has been said about whether postmodernism is on the rise in contemporary societies; if anything, it is assumed, almost without argument, to be already here. The study analyzes postmodernist theory and the extent to which postmodernism can be identified in the current society. Most of the architectural buildings in the 20th and 21st centuries embodied post-modernism. They include One Detroit Center situated in Detroit (shown in figure 1); RMIT Building situated in Melbourne (Figure 2); The McCormick Tribune Campus Center situated in Chicago (Figure 3); and Auditorio de Tenerife located in Santa Cruz de Tenerife (Figure 4).
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